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So, you've heard the clip, what do you think?  

318 members have voted

  1. 1. So, you've heard the clip, what do you think?

    • Best song on the album.
      31
    • Er.. I mean it's okay. It may grow on me.
      111
    • I can't wait to hear the rest of that guitar solo!!!
      79
    • What the fuck @ 80s style production?
      44
    • I hate it.
      53


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Dislike this. My least favourite on the album.

 

Why does Matt insist on going for a big ballad per album? They can do good slow songs like Screenager without having to go for the first pump.

 

Annoying isn't it? I do like some ballads if the're quite dark and emotional but with muse they tend to be quite cheesy/naff.

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this song has got such a random build up... first these powerful drums, then kicks the f into the verse, then chorus, solo, chorus, outro.

 

muse's songs are getting happier, even though i don't want them to relive their roots, how bout getting a litte sad and angry, matteh?

 

this song is growing on me, getting better and better, but still invincible 2!

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muse's songs are getting happier, even though i don't want them to relive their roots, how bout getting a litte sad and angry, matteh?

 

GL's not a happy song at all! :LOL:

 

And comfort and warmth can't be found

I still reach for you

But I'm lost, and crushed, and cold, and confused

With no guiding light left inside

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Annoying isn't it? I do like some ballads if the're quite dark and emotional but with muse they tend to be quite cheesy/naff.

 

I agree with that some of the ballads lyrics can be quite cheesy, mainly the chorus'.

I do like this song though. Best played really loud.

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Srsly, it's not bad at all. I really was expecting Invincible and Starlight crossbred but this is far more musically, lyrically and emotionally powerful than either of those two. Sure, it is a weaker track but it is by no means a duffer.

 

That's pretty much how I feel.

 

The lyrics took me by surprise; I was expecting something schmaltzy from the title, not sad. Makes for an nice juxtaposition with the relatively optimistic tone of the music itself.

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