Jump to content

Recommended Posts


  • When the distortion kicks in - Con-Science
  • When the guitar solo kicks in - Exo I
  • The little bass bit between 'Together we're invicible' and the guitar solo - Invicible
  • The intro to Bliss
  • Futurism; Grounded, Boxed In.
  • When IBTY ends. Not the ending. I mean, when the song ends.
  • When the vocals kick in - Forced In
  • When the long bit of noise from SD leads into HM
  • Interlude
  • The last few notes of RBS

 

bold: :happy: nice ones.... (not that the others weren't nice, these are just particularly nice)

pink: :LOL: bahahahahaha nice...

 

i love IBtY :$

 

OOH! the "i beeelooooooonnnng" bit in IBtY and the "verse-moi"s after the louder bits :happy: <3

Link to comment
Share on other sites

The most gorgeous thing ever in the history of songs from Muse is the last "Get it right" in Exogenesis: Symphony Part 3 (Redemption). Shivers, goosebumps and tears. <3
Awesomeness!!

 

There's so much from Muse that stand out. 2:16 to 2:30 in MK Ultra, the beginning of Butterflies and Hurricanes/Map of the Problematique/Take a Bow/In your world, 1:57 in City of Delusion when it goes quiet and then it kicks in again. And one of my faves the 'siren' sound at the beginning of the Plug in Baby live at Wembley.

Link to comment
Share on other sites

I love the fact that every time I listen to a Muse song, it's like the first time that I hear it.

 

+1 :happy:

 

The screaming in Shrinking Universe <33

The very high backing vocals in the chorus of Megalomania

Matt's famous sex faces :chuckle:

The fact that every New Born solo is slightly different

Matt's voice at the very end of Bliss

The arpeggios at the beginning of Bliss

'Injustice is a gnome' :LOL:

The storm in Shine/the city noises in Forced In...

 

This could take all day, so I'll stop there ;)

Link to comment
Share on other sites

The most gorgeous thing ever in the history of songs from Muse is the last "Get it right" in Exogenesis: Symphony Part 3 (Redemption). Shivers, goosebumps and tears. <3

 

^^^ Yes!

 

It's one of those "wow these guys are genius" moments, sends shivers up my spine every time!

 

Just to name a few more...

 

Drum fills at the end of Overture.

Those high arpegios in Map Of The Problematique.

Chris's orgasmic basslines and just the meaty satisfying sound of his bass altogether.

"Breaking Throoooooooough" Mk Ultra.

"Best, you've got to be the best!" Butterflies and Hurricanes.

Link to comment
Share on other sites

The random noices Matt makes during Dead Star, and the backing vocals in the chorus.

The opening riff in Citizen Erased

The "destroy yoooooooou" in HTAILY

The Supermassive Black Hole riff

The Exo-Politics chorus

The guitar bit in Starlight which can be heard when Matt starts singing "My life, you electrify my life"

The last "I wish I could" in Stockholm Syndrome

The bass bridge in Uno

Link to comment
Share on other sites

^^^ Yes!

 

It's one of those "wow these guys are genius" moments, sends shivers up my spine every time!

 

Just to name a few more...

 

Drum fills at the end of Overture.

Those high arpegios in Map Of The Problematique.

Chris's orgasmic basslines and just the meaty satisfying sound of his bass altogether.

"Breaking Throoooooooough" Mk Ultra.

"Best, you've got to be the best!" Butterflies and Hurricanes.

 

:awesome: Yes, yes and YES.

 

Everything about MoTP is like a drug to me. Adddictive, and causes odd feelings which are only obtainable through a visit from something inhuman

 

:supersad: *angelic choir sings*

Link to comment
Share on other sites

-I love the chorus of Screenager.

-The intro of Uno.

-The guitar bit in Unnatural Selection when Matt goes "No religion or mind virus".

-When Matt goes "Jump on top of my pleasure pill? Hahaha yes please!" in Yes Please.

-The guitar solo in Sunburn.

-The chorus of Dead Star.

-The intro of Glorious.

-The little "Whoo" in I Belong To You and that little popping noise Matt makes.

-The intro of Showbiz.

Link to comment
Share on other sites

I also love the old lyrics for plug in baby, specially when he says "God is in me!". Oh and i love the way Citizen Erased fades into Microcuts :O never noticed that until today

 

Yes! And when he says 'I feel broken... next to you'... I just... and he's just...

 

*fangirl moment*

 

*cough*

Anywho. I've always liked the way Origin tracks fade into each other.

The mewing sound in The Small Print's solo

The fact that Dom still looks like a 21-year-old

When Matt sings so high that I can't really understand what he's saying (not that I catch most of the lyrics anyway :LOL:)

The final chorus of Knights, where Matt's voice is layered in three parts that harmonize flawlessly

Link to comment
Share on other sites

Archived

This topic is now archived and is closed to further replies.

×
×
  • Create New...