OriginOfAbso Posted November 7, 2018 Share Posted November 7, 2018 Discussion thread for Get Up and Fight. Link to comment Share on other sites More sharing options...
That Little Animal Posted November 7, 2018 Share Posted November 7, 2018 I'd be a little insulted if I were an accomplished hit maker like Tove Lo and being asked to contribute to a song only to end up doing the "aha ahaha" bits. Link to comment Share on other sites More sharing options...
BigGeorge Posted November 7, 2018 Share Posted November 7, 2018 I think that's what annoys me most about the song. Tove Lo is a very capable artist, fucking give her a full feature if you already have her on board. Link to comment Share on other sites More sharing options...
OriginOfAbso Posted November 7, 2018 Author Share Posted November 7, 2018 I'd be a little insulted if I were an accomplished hit maker like Tove Lo and being asked to contribute to a song only to end up doing the "aha ahaha" bits. Also I feel like those would've sounded better if they were Matt. Though I think she does do one high pitched thing in the final chorus. Link to comment Share on other sites More sharing options...
JessicaSarahS Posted November 7, 2018 Share Posted November 7, 2018 The intro was promising, but I lost all hope a minute into it. This one makes me cringe a bit. Link to comment Share on other sites More sharing options...
Jobby Posted November 7, 2018 Share Posted November 7, 2018 Just dropping in to say this is a great, shameless but uplifting pop tune. See ya, pardners *hat tip* Link to comment Share on other sites More sharing options...
LucasWay89 Posted November 7, 2018 Share Posted November 7, 2018 Bad. This albums pop bore track. Link to comment Share on other sites More sharing options...
MartianSpaghettiRider Posted November 7, 2018 Share Posted November 7, 2018 The intro was promising, but I lost all hope a minute into it. This one makes me cringe a bit. Personally, I already "noped" out at the beginning, with the "ah ah ah..." going on. EDIT: Overall, though, I think it's not really obscene, but it's a totally vanilla, absolutely inoffensive, extra-generic kind of track. Meh. Link to comment Share on other sites More sharing options...
Jobby Posted November 7, 2018 Share Posted November 7, 2018 That change for the pre-chorus and the “I see a change on the horizon / Reasons to be frightened” is so fucking catchy it’s criminal Link to comment Share on other sites More sharing options...
LewisF Posted November 7, 2018 Share Posted November 7, 2018 That change for the pre-chorus and the “I see a change on the horizon / Reasons to be frightened” is so fucking catchy it’s criminal Yep, those first two chords in the pre-chorus always sound great just as a general rule imo Link to comment Share on other sites More sharing options...
Requiem1394 Posted November 8, 2018 Share Posted November 8, 2018 I feel like if I heard this on the radio for the first time not knowing who it was, I'd be kind of into it initially and be like, "Huh, that voice is so familiar..." Then the chorus would hit and I'd go, "Oh. It's Muse. Yikes." Link to comment Share on other sites More sharing options...
topo_musero Posted November 8, 2018 Share Posted November 8, 2018 Verses and specially the pre-chorus are really great and catchy. I find it a really good track honestly. Oddly enough the chorus remind me a lot of a MCR song Link to comment Share on other sites More sharing options...
psychosaff Posted November 8, 2018 Share Posted November 8, 2018 It's not my favorite, but it's still pretty catchy. 5/10 would still revisit. Link to comment Share on other sites More sharing options...
olliemuse Posted November 8, 2018 Share Posted November 8, 2018 You know what, this song is a fucking jam and there's nothing you can do about it. Predict this will be Muse's highest charting song to date. Link to comment Share on other sites More sharing options...
Saint Rockwell Posted November 8, 2018 Share Posted November 8, 2018 Overall, though, I think it's not really obscene, but it's a totally vanilla, absolutely inoffensive, extra-generic kind of track. Meh. This track makes Neutron Star Collision sound like Megadeth Link to comment Share on other sites More sharing options...
heyjackk Posted November 8, 2018 Share Posted November 8, 2018 For anyone interested fairly sure it's a few A4 and G#4s in the chorus - no Bb4s (saw someone saying it might be in the album thread). Think it's a G#5 at the end but fairly sure that's Tove Lo not Bellz. Link to comment Share on other sites More sharing options...
hyena17 Posted November 8, 2018 Share Posted November 8, 2018 this isn't as bad as I feared. Not digging Tove Lo's parts either. Should have just dropped it. Definitely better than revolt. I hope they don't play this live, waste of a setlist spot. Link to comment Share on other sites More sharing options...
Jobby Posted November 8, 2018 Share Posted November 8, 2018 For anyone interested fairly sure it's a few A4 and G#4s in the chorus - no Bb4s (saw someone saying it might be in the album thread). Think it's a G#5 at the end but fairly sure that's Tove Lo not Bellz. Just checked, think you’re right actually. Not sure about that falsetto being Tove Lo, that tremolo sounds distinctly Matt to me. Could be wrong (probs am) since he said she was hitting notes he’d have to scream to reach though. Link to comment Share on other sites More sharing options...
Citizen_Eraser Posted November 8, 2018 Share Posted November 8, 2018 The high backing vocal that hits with the start of the last chorus is not Matt I don't think. Another Tove Lo part? Link to comment Share on other sites More sharing options...
Redwingsrock Posted November 8, 2018 Share Posted November 8, 2018 I really like the verses of this one....but I hate the chorus. Feels way too...forced? derivative? something, but not good. This one and Dig Down are really the only songs I can see myself skipping more often than not. However, this is still better than Dig Down. Link to comment Share on other sites More sharing options...
That Little Animal Posted November 8, 2018 Share Posted November 8, 2018 Alright, after listening to it on repeat for a few times i’ve concluded it’s shit. I already disliked the chorus, but the generic radio beat in the verses gets really old really fast. Gives me a headache. Link to comment Share on other sites More sharing options...
OriginOfAbso Posted November 8, 2018 Author Share Posted November 8, 2018 Yeah the verses are just awful, they really take me out of the album. And they feel disconnected from the chorus. Link to comment Share on other sites More sharing options...
matthijs Posted November 8, 2018 Share Posted November 8, 2018 Alright, after listening to it on repeat for a few times i’ve concluded it’s shit. I already disliked the chorus, but the generic radio beat in the verses gets really old really fast. Gives me a headache. So naturally this will become a live staple. Link to comment Share on other sites More sharing options...
heyjackk Posted November 8, 2018 Share Posted November 8, 2018 (edited) Just checked, think you’re right actually. Not sure about that falsetto being Tove Lo, that tremolo sounds distinctly Matt to me. Could be wrong (probs am) since he said she was hitting notes he’d have to scream to reach though. Nah after another listen to the ending part Jobby I think you're right about it being Matt not TL! The high backing vocal that hits with the start of the last chorus is not Matt I don't think. Another Tove Lo part? This one could absolutely be Tove Lo because it's a bit smoother. But the ones right at the end carry into the rest of Matt's phrase and are very... him, in their delivery like Jobby said (the tremolo and the way he kinda eeeyaaaaahs high notes). Edit: Yeah I just pitched it properly rather than guessing (finally got to my keyboard) and it's an E5 so it's gotta be Matt. Why did I think G#5 fml. Edited November 8, 2018 by heyjackk Link to comment Share on other sites More sharing options...
EveryToilet Posted November 8, 2018 Share Posted November 8, 2018 Haven't heard the whole song yet (paid $50 for the Super Deluxe, so I'm going to stubbornly wait until next Wednesday ) but I heard the clip that was posted a few days ago and, as was my deepest darkest fear, I kinda enjoyed it. But as can be determined by my past with Big Freeze and Revolt, I clearly have a history with the big, dumb pop song of each album. To paraphrase Michael Scott: "Am I scared of GUAF? No. Every day weirdos pay dominatrixes hundred of dollars for that very privilege. I'm scared I'm gonna love it." Link to comment Share on other sites More sharing options...
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