Bchbiker16 Posted November 8, 2006 Share Posted November 8, 2006 you could but the beat of the guitar in motp doesnt just go on and off like the digitech flager does. matt effect has a distinct rhythem Link to comment Share on other sites More sharing options...
Funguy Posted November 8, 2006 Share Posted November 8, 2006 you could but the beat of the guitar in motp doesnt just go on and off like the digitech flager does. matt effect has a distinct rhythem you heard the demo for the pedal yet? Link to comment Share on other sites More sharing options...
Bchbiker16 Posted November 8, 2006 Share Posted November 8, 2006 yeh why Link to comment Share on other sites More sharing options...
Funguy Posted November 8, 2006 Share Posted November 8, 2006 the rythum to the step works with it. Link to comment Share on other sites More sharing options...
Marvolo Posted November 8, 2006 Share Posted November 8, 2006 rhythm* Link to comment Share on other sites More sharing options...
Funguy Posted November 8, 2006 Share Posted November 8, 2006 rhythm* cheers! Link to comment Share on other sites More sharing options...
Jabnit Posted November 9, 2006 Share Posted November 9, 2006 the rythum to the step works with it. You mean you've listened to the song and demo at the same time? Well it does say "step flange" in the tab book. What other "step flange" do we know of? The writers of the book must have achieved the sound somehow I just listened to the demo of that pedal again and it does sound right. It's just the chords that are being stroke out of time. Link to comment Share on other sites More sharing options...
kuz Posted November 9, 2006 Share Posted November 9, 2006 You mean you've listened to the song and demo at the same time? Well it does say "step flange" in the tab book. What other "step flange" do we know of? The writers of the book must have achieved the sound somehow I just listened to the demo of that pedal again and it does sound right. It's just the chords that are being stroke out of time. the writers of that book wrote step-flange clearly with the digitech turbo flange or whatever it is in mind, probably because it's the pedal they used that got the closest sound. i have two step-style phasers that can both pretty much nail the sound. basically any sample-and-hold stepping style filter will give you a decent enough sound - ooh- or seek-wah will be close enough too. Link to comment Share on other sites More sharing options...
Funguy Posted November 9, 2006 Share Posted November 9, 2006 yeah I've listened to the dem owith map playing and it seems to fit. but not all step functions are good. the one on a Zoom GFX-1 isn't shite. I've tried it on my GFX-1 and it untweekable really. you get strong shifts but out of time or right timing (really) with weak shifts. Link to comment Share on other sites More sharing options...
shuggy_r Posted November 12, 2006 Share Posted November 12, 2006 theres a line 6 liqua flange as well on the go that has a step flange effect on it but i dunno if it will fit the bill when i watched muse on jools holland matt was turning something on a grey box after strumming each chord and theres definately a whammy hamonising an octave above in there somewhere Link to comment Share on other sites More sharing options...
OD-Musik Posted November 12, 2006 Share Posted November 12, 2006 I've got a GT 6 with a step phaser. It's a bitch to play with, I'll try and get a MOTP thing Link to comment Share on other sites More sharing options...
Bchbiker16 Posted November 12, 2006 Share Posted November 12, 2006 has anyone heard of the future retro mobius? its a step sequencer that can control pretty much anything. would it be possible to route guitar through it? Link to comment Share on other sites More sharing options...
Jabnit Posted November 13, 2006 Share Posted November 13, 2006 Found something that might intrest you guys. It's a demo of the Digitech Flanger set to Step-Flange (as we discussed). The guy seems to get carried away and strum to fast but... It sounds pretty good! Map Of The Problematique INTRO EFFECT DEMO Link to comment Share on other sites More sharing options...
Phill Posted November 13, 2006 Share Posted November 13, 2006 not really anything like it though is it really Link to comment Share on other sites More sharing options...
haze015 Posted November 13, 2006 Share Posted November 13, 2006 not really anything like it though is it really Nope. Just get a whammy and a MIDI Sequencer, sounds dead on and you look pretentious as fuck at the same time Link to comment Share on other sites More sharing options...
Bchbiker16 Posted November 13, 2006 Share Posted November 13, 2006 Nope. Just get a whammy and a MIDI Sequencer, sounds dead on and you look pretentious as fuck at the same time you should make a demo of it Link to comment Share on other sites More sharing options...
Jabnit Posted November 13, 2006 Share Posted November 13, 2006 not really anything like it though is it really No But for £80 or so... What If you were to use a Whammy at +1oct too? Link to comment Share on other sites More sharing options...
Phill Posted November 13, 2006 Share Posted November 13, 2006 -1 and +1 i think it dances around a bit. if you used a midi sequencer with that set up right then there's no need for the pointless flange sequencer because there is no flange in that song Link to comment Share on other sites More sharing options...
haze015 Posted November 13, 2006 Share Posted November 13, 2006 you should make a demo of it I may do if I can be bothered, right now, I can't. I'm amazed when people here want, say a whammy, and can't tell when one is being used, same goes for the Fuzz Factory. Link to comment Share on other sites More sharing options...
Phill Posted November 13, 2006 Share Posted November 13, 2006 this There's a demo posted earlier in the thread, i think it sounds close than any of that flange shit. edit: ok the file is no longer valid Link to comment Share on other sites More sharing options...
Funguy Posted November 14, 2006 Share Posted November 14, 2006 i can't see how we can work this effect out. http://www.youtube.com/watch?v=D2mEx49bLVs&mode=related&search= Link to comment Share on other sites More sharing options...
Funguy Posted November 14, 2006 Share Posted November 14, 2006 I've got a GT 6 with a step phaser. It's a bitch to play with, I'll try and get a MOTP thing my mate has one of those. there's a effect on that that is close. I should really piss around on it and work it out. Link to comment Share on other sites More sharing options...
Cyfo_Diaz Posted November 14, 2006 Share Posted November 14, 2006 I may do if I can be bothered, right now, I can't. I'm amazed when people here want, say a whammy, and can't tell when one is being used, same goes for the Fuzz Factory. agreed. i jus use the -1/+1 setting on the wham wit a bit of delay, sounds ok Link to comment Share on other sites More sharing options...
haze015 Posted November 14, 2006 Share Posted November 14, 2006 i can't see how we can work this effect out. http://www.youtube.com/watch?v=D2mEx49bLVs&mode=related&search= I think he hits a harmonic at the start, or maybe feedback. I think it's more obvious there that it's a pitchshifter than anything I've seen, listen to all the different notes before he starts playing the chords... Link to comment Share on other sites More sharing options...
Jabnit Posted November 15, 2006 Share Posted November 15, 2006 Okay, so I understand that the Kaoss Pad 2 does have some sequencer effects built in. Have any of you actually read the pads features? It looks to me as if this effect is simply achieved from the Koass Pas to me. Has anyone on here actually got a Kaoss Pad? "You’re in Sync with Special BPM Effects Sync delay time or the LFO of modulation effects such as pan, phaser or flanger to the beat with the KP2’s 20 specially programmed BPM effects. You can use the Auto BPM function to detect the speed of an input source, adjust the BPM manually, tap in the tempo yourself, or even sync the KP2 to incoming MIDI Clock messages. Eight new BPM patterns can be triggered from the touch pad, allowing rhythm and bass synth patterns to be played, perfectly synchronized to the BPM. Sampling with Effects Plug into the KP2’s audio input and sample up to six seconds of sound at 44.1 kHz. The KP2 has two sample keys for a total of twelve seconds of sampling. Run the samples through the KP2’s effects. Or you can process a sound through the effects and then sample it. Use the touch pad to apply time-stretch, reverse-playback, pitch shift, or scratch effects to the samples for unlimited creative possibilities." Makes sense to me EDIT: Have you not noticed that Matt always seems to use a MIDI guitar (ie. the new black manson, the new cracked mirror with the x/y pads?) Link to comment Share on other sites More sharing options...
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