Dave.
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Everything posted by Dave.
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I'm just doing regular chords. It sounded fine to me.
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I did a guitar cover of Weezer's Say It Ain't So. Only the background guitar on the verses is original. Everything else is redone. I'm quite proud of this one. All the guitar tones were from BIAS FX. [soundcloud] [/soundcloud]
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Very nice, If I had the funds/the board space I'd certainly buy one.
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I just played an Animated
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He is from Ireland, so I imagine that'll narrow it down I'll ask him to bring it up some week so I actually hear one. My attempt at making on never really worked. Although I plan on salvaging the parts and trying again sometime.
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One of my roommates in Uni has an animated!
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Here's a demo I've done with my band. Very proud of this. And considering how basic our recording system was I think it sounds great! https://soundcloud.com/l0ngan/toepoke/s-KDdDd [soundcloud] [/soundcloud]
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Ah ok. I imagine you know how to set both of those settings up. I asked because I thought you might want help in setting whatever you were doing up.
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What are you using it for?
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I'm also running out of space on my board I'm saving a space for the Meatbox but once that's on it's stuffed to the max! I could get a PT3 but that would only allow me t find 1 or 2 more on. So I'm going to wait until I can justify a PT Pro.
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I saw a Lexicon MX200 for sale nearby for €150 and I seriously tempted to get it seeing as my amp is rackmounted and I'll be buying a rack head for it soon. The only issue is finding a way to control it. I was thinking of a MIDI footswitch but I'm new to the whole world of that. I just want to be able to move through patches and I'd like a space efficient option. Anyone have any ideas?
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Axe FX, a Kemper, and a pedal tray for stuff that isn't in the Axe FX.
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It's a fuzz factory. More than likely with full gain and Comp and no gate and stab. With those settings I get a very similar tone.
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That sounds like the tone a 12 year old uses the first time they hear QOTSA. They were so close too. The Green Rhino is a fucking great pedal for that sound and if they'd used the bridge pickup they'd be close. But with the fuzzes and the neck pickup they're closeer to Kyuss than QOTSA.
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A Hartke HA3500. It's a 350 watt hybrid amp, I'm pretty damn sure it has the power to take the Meatbox. It's the cab (Marshall DBS 7210 with currently unidentified speakers) that I'm worried about.
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Because I'm getting a DOD Meatbox, I'm trying to find the cheapest way of being able to run it full tilt (more as a factor of safety for actually useable settings). So far my options are wait until I'm playing with a full PA with decent sub woofers (unlikely), buying an Ampeg 8x10 or a cab with an 18" speaker. The things I do for subs
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That looks savage. I love the exposed screwheads.
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If you love something, let it go.
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You may have to enlarge your hole for the black knob.
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Let's find out. KLONS ARE GLORIFIED TUBESCREAMERS
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Two Verellen amps, one running a marshall 4x12 ad one running an ampeg 8x10. Serious stuff. And I got the stand one. I wouldn't save enough space to justify the small one. Plus I don't like narrow pedals like that.
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I saw Russian Circles last night. Their tones were spot on. And it was nice to see a set up that wasn't an Axe FX running into a kemper I also bought a Polytune
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How big is the bar? I know my covers band normally only has a kick drum mic if we're in a small venue and one overhead if it's a bit bigger. Drums are fuckin loud, man.
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Yeah, Mike came out of the venue like someone who just found out they need a filling. He took 2 or 3 photos (Me being one of them ) and then went onto the tour bus. They clearly weren't in a rush since Ben stayed out with fans for over an hour. Absolutely lovely guy!
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Maybe (shocker), they just recorded it live without a click?
