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james90

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Hey guys, check this out. This is an excellent video comparing Seymour Duncan humbuckers. It's the same player, same guitar and same amp. The amp is the Rhodes Colossus, my pick for the best new amp since the Guytron was introduced 20 years ago.

 

http://www.youtube.com/watch?v=ryzie8mham8

 

Details from video description:

 

Pickups-

Seymour Duncan

http://www.seymourduncan.com

 

Full mix-

 

Distortion 0:06 - 1:02

Full Shred 1:03 - 1:59

Invader 1:59 - 2:55

JB 2:56 - 3:53

Alternative 8 3:54 - 4:49

59/Custom Hybrid 4:52 - 5:46

Custom 5:46 - 6:42

Dimebucker 6:42 - 7:39

EMTY Blackout 7:40 - 8:36

Blackout Metal 8:36 - 9:33

Blackout Standard 9:33 - 10:30

Gus G 10:30 - 11:27

 

Guitar only (2 tracks L/R)

 

Distortion 11:27

Full Shred 11:38

Invader 11:49

JB 12:00

Alternative 8 12:10

59/Custom 12:22

Custom 12:32

Dimebucker 12:43

EMTY 12:54

Blacout Metal 13:05

Blackout STD 13:16

Gus G 13:27

 

Guitar-

Strictly 7 Guitars "Cobra" Baritone 6-string. 27.5" scale, mahogany body, koa top, maple neck, ebony fretboard. Tuned drop Bb.

http://www.s7guitars.com/

 

Amp-

Rhodes Colossus H-100

http://www.rhodesamplification.com/

 

 

JT

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35933_10150798131335653_503970652_9675869_933086759_n.jpg

 

 

Comparison between mine and matt's. Mine is more of a hybrid of the first bomber and the second. Has the same positioning of hardware and some harder edges as the first and then more rounded edges as the newer. Also difference obviously is no fuzz and ebony fretboard.

 

Body was built by EG Bodies and neck was by Hooglebug (http://www.afguitars.co.uk/)

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Without the controls for the fuzz it looks more classy.

 

I don't mind the fuzz, but I think the chrome job on Matt's looks shabby next to Olly's. The P90 looks too far sunken in to the body, where Olly's is mounted nicely, etc.

 

Edit: Pedalboard pics!

 

Here's mine~I think it's done! (Until the Strymon Flint is released....)

 

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(You can kinda see Drew Shirley's singature there^^)

 

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Guitar comes in and immediately hits the ZVex Super Hard On Boost, then into the Ernie Ball VP Jr. for some sweet swell action. From there we go into the JHS Bunrunner Fuzz, JHS Warble-Tron Univibe clone, and JHS Morning Glory "Discreet" OD and Charlie Brown JTM45-flavored OD. Next up, the TC PolyTune Mini, then the Strymon TimeLine Über-Delay. Finally, the delay signal hits the Boss PN-2 Tremolo--which I've begun to run after delay since that's how it'll be with the Strymon Flint--into the Ibanez AD-80 Delay set with a low mix and high repeats for an ambient wash of sound, then into the Boss RV-5 set up for a sweet modulated reverb and out to my Kay amps!

 

TL;DR:

 

SHO > VP Jr. > Bunrunner > Warble-Tron > Morning Glory > Charlie Brown > PolyTune Mini > TimeLine > PN-2 > AD-80 > RV-5

Edited by JimboMansonMB-1
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