Flump
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Everything posted by Flump
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I have a set of black battleworn Stockholm P90's. Humbucker sized. $225 shipped US. Will ship elsewhere, but for whatever the extra ends up being.
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I have a 914ce. It's about 10 years old at this point. What are you looking to do with it specifically? Live, recording, just having an acoustic, etc. I love the way my taylor sounds especially in a mix, and it plays like absolute butter. However, when playing alone sometimes its really hard to beat a Martin's big warm sound. Might want to look into some other brands like Larrivee or Seagul as well.
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The serial numbers are most likely under the finish. You'd have to sand it to bare wood and refinish to get rid of them. Personally I wouldn't in case the instrument ever gets stolen. Then at least you have a record of it actually being yours.
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Anyone here used the pandamidi midi beam? My m-audio midair (well half of it) got stolen out of my trunk this past weekend and im looking at a replacement. Can't find the midair anywhere. I also can't find the widi anywhere. Looking for something as small as these others. The Kenton system is too large for what I want to do with it and also more money than I want to spend on this.
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You can always just loosen the nut, turn the switch 180 degrees and re tighten it.
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I'm sure the fuzz is first. The fuzz pedals react to the impedance of the pickups which is no longer the case when you put a buffered pedal/wireless/whatever else in front of it.
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I bet you could real close by using an evelope filter and a delay. The envelope filter would be used to just knock the attack off the note. Set the delay time somewhat short with a lot of repeats.
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Just for anyone else that's interested, this is what I picked up off Talkbass. The guy uses Crowellas circuit. So, if you manage to find one for sale I'd be confident it's the same thing. http://johnkvintageguitars.homestead.com/Animato.html
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There's another guy who makes them on Talk Bass. He uses Crowellas schematic. I got one off there. Thinking about unloading it though because I basically matched it in the Axe-FX.
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If its the sound that you can hear again right around 7:42 then its definitely a synth of some sort. It does sound like it could be chris playing through one of the Deep impact's settings (like the weird little frog thing he does in sunburn for example) or just morgan smashing some notes on an actual synth.
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Thanks for this advice. I already use Guitar Pro, but it didn't even cross my mind that you could export a midi track. Makes sense though.
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Does anyone around here by any chance have midi files for the synth on Bliss and the backing piano on Stockholm syndrome? Or if not, possibly where I could get them. I'm talking about the actual note information to potentially automate them. I think I could eventually get it all worked out but man that would take some time.
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That sounds like Chris to me, not Matt. Especially since the guitar seems to come in with the Cave while the 1st sound is slightly still going.
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Are you using the pitch block in the axe to get the octave down? If so, don't do that haha. The synth block allows you to have 3 voices. Use 1 voice and leave the pitch alone. Use a 2nd voice and drop that an octave down. I actually posted a little further back in the thread about this exact thing.
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For 300 bucks you're not going to get anything GREAT, but if you can stretch just a little more you could get a used Eleven Rack. Those things seem to sound pretty decent.
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I'd be surprised by this solely because most of the fuzzes in the axe-fx aren't all that great. It's definitely bitched about at the fractal forum.
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I've had mine for a good 5 or 6 years now and I have 2 blue ones and a tiny metal one. Must be an update to the board. I found their site, and I would link to it, but my work computer won't let me go to the sustainiac site, so I'm going to describe it. With the 10 pin connector on the right, 8 pin on the left. The trimpot on the bottom right (near the 10 pin) is neck pickup volume. Trimpot on the bottom left near the orange wire is sustainer gain. Trimpot on the top left near the white and violet wires is the harmonic mode gain.
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One of the blue ones is for the level of the pickup sound, the other blue one is for the level of the sustainer "regular" mode, and the little tiny one is for harmonic mode.
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So I found an animato clone online from a guy on talkbass that used Crowellas circuit and then futzed around in the Axe-FX drive block till I got close enough to it. I put the pedal in the axe's fx loop and switched between one of the drive blocks in the axe and the actual pedal back and forth constatly. I actually ended up using the "FAT RAT" in the Axe. Even though the circuit is a treble booster into a muff variant I can see why people thought it was a rat clone. I'm pretty happy with the results. The recording goes: Direct animato, direct axe-fx for the first 2 licks back and forth. Then switches to animato w/clean blend then axe-fx drive w/clean blend back and forth for the actual riffs. Wholstentonnezzzzz
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If anyone has one of Crowellas Animated pedals for sale...I. WANT. IT. Edit: Bought a different clone off talkbass that a guy made off of crowellas schematic.
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Granted I haven't paid attention to the live videos but maybe he's using....his foot?
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Hey, where was this at?
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They play a ton of muse in the background on CBS' NFL pregame show.
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very nice craftsmanship. I personally would not be excited to have what looks like a chubby chick on my guitar...but either way nice work.
