Phill
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Everything posted by Phill
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sadly i'm on a mac and don't have paint, haha and to be honest i don't think i'd stand too much chance and coming up with anything accurate for you.
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nope definately all 3, i always find i can here the -1 more predominantly.
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There's a demo posted earlier in the thread, i think it sounds close than any of that flange shit. edit: ok the file is no longer valid
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-1 and +1 i think it dances around a bit. if you used a midi sequencer with that set up right then there's no need for the pointless flange sequencer because there is no flange in that song
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not really anything like it though is it really
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in MOTP?
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yeah, the octave changes, you could set a whammy with a midi sequence like someone on here has done.
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hmm i don't think it's anything like what is used in MotP. The only similarity would be the step sequence factor, but there is a lot more going on in MotP.
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hmmm not studio, and not on the absolution tour, but possibley pre absolution when it was get a grip.
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yeah same, partly because i don't have a fuzz factory anymore, big muff and dirty combined =
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ooh true, although i use fuzz over my amps distortion so it's just as easy to click the fuzz of than switching pick ups of you could roll off the volume, although not sure how well that would work on the FF if it's ocsillating
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Hmmm i'd use a fairly quick delay time with a few repeats, no delay in the verse. sounds better with fuzz for the riff and the verses but switch to crisper distortion for the chorus so the harmony up sounds clearer
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sound at the beginning? isn't it just acoustic guitar? i'll listen a sec
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the noise at the end is delay with infinite repeats and turn the delay time up and down.
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there's some fuzz factory oscillation in there and the ending is delay speed and time being messed around with.
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sounds awesome.
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sweet.
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looks like blueshift has some competition http://www.blueshiftsound.com/
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you reformed? good luck with that. i'll wait and see what happens then.
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nice haze. i'm thinking of buying the blueshift album but i could save you the postage hassles and you could send me the mp3's splitting money with ex band members is no fun anyway!
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hahaha "wet whammy"
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Fury: set up FF -> EQ -> Whammy Whammy Dry -> Main Amp Whammy Wet -> Delay -> 2nd Quieter Amp i use: Fuzz Factory on (O'Clock) Gate 7 Comp 10 Drive 1 Stab 1 (adjust to preference 5 kills oscillation) Delay - Reverse Mix - full wet signal into 2nd amp Repeats - 1 Time - about 3/4's of a second or something like that Whammy - 1 up / 1 down Harmony I think the neck pickup sounds best for the main riff, i trem pick it so that it all blends together and then just put in some bends and hammers/pull offs etc. set whammy on octave up/down harmony setting and just freestyle with the treadle through the riff. then turn the delay off for the verse and use the harmony octave down for a chunky sound in the verse riff. then rock forward in harmony to up octave for the chorus then back to down harmony for the verse and forward (up) again for the chorus. then rock back down for the little interlude then put the delay back on and freestyle the treadle for the riff and into the solo bit, then turn the delay back off and rock the treadle forwards for the chorus and then back down for the outro....
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sounds cool liking it a lot
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haha i meant echo park, its a pretty good pedal actually, except for the not being able to control the sweep. its not as ugly as i looks in pictures either thankfully