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Tobiiiaaas

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Everything posted by Tobiiiaaas

  1. Tobiiiaaas
    Awesome
  2. Tobiiiaaas
    Big Weekend is always around 1hr for headliners
  3. Tobiiiaaas
    Interesting, I literally was just on that site and it was blank.
  4. Tobiiiaaas
    Anyone else noticed that the track times have been taken off that Tower Records site?
  5. Tobiiiaaas
    Chris on Mutt via google translate 'He is a perfectionist, but not as I imagined it would be. He's very old school in his methods, he does not rely fully on the technology. I think he perfectly captures the importance of human feelings in music. He's one of those guys who does not seek perfection, he just looks for good sensations. Sometimes what makes a great song is its imperfections. He made ​​us do a lot of takes. This is something we had not done on previous albums. Some songs were made ​​up to thirty takes. The times when it slowed us slightly, was not deliberate on his part. It's just a story of sensations. He wanted the album to exude, it has a real flow. In many albums he produced, typically Back in Black AC / DC you have a real consistency, it has the ability to capture the present moment to anchor the music in time. When you listen to the 2nd law there is a multitude of elements that correspond to different times. Drones we wanted to capture a moment, a moment. With the entire album recorded in a studio-level sound it's very consistent from beginning to end. After the 2nd Law, it was important to us that the concept of the new album only focused on one thing.'
  6. Tobiiiaaas
    Oh wow! You've heard it all? Tell us all about Reapers, JFK, Defector etc etc...
  7. Tobiiiaaas
    Seems so! Always thought it would be distorted to be honest.
  8. Tobiiiaaas
    It was from the Rockol track-by-track review. Here's the (rather poor) google translation: Guitars leading players, high in the mix of instruments, including riffs and solos, with the distorted voice that screams "Killed by drones."
  9. Tobiiiaaas
    Assassin, followed by Map and TaB
  10. Tobiiiaaas
    I know some people have their reservations over Drones (the song) but I'm pretty excited to hear it, especially considering how good Matt's vocals are at the moment.
  11. Tobiiiaaas
    It's not definite, for all we know they'll only play Dead Inside, Psycho, Mercy, Reapers. I do think The Handler might be debuted because I'm not sure how much longer Dom can last without playing it.
  12. Tobiiiaaas
    Yeah, I think I agree with this.
  13. Tobiiiaaas
    Personally the NME article has, if anything, made me more hyped for the album.
  14. Tobiiiaaas
    I'm kinda intrigued by the Radiohead comparison in the article, don't think we've had that for a while? I'd say 2:50 - Intro 5:40 - Midsection 5:10 - Piano/orchestral outro
  15. Tobiiiaaas
    Ah right, well if it is 13 minutes long that's going to be one hell of a track.
  16. Tobiiiaaas
    Had to go for my favourite, The Small Print
  17. Tobiiiaaas
    Haha, I honestly didn't think of that when I wrote it To me I took it as saying Globalist and Drones combined was 13 minutes.
  18. Tobiiiaaas
    MUSE RETURN TO ROCK: SONG BY SONG, WHAT'S INSIDE "DRONES" And slightly poor google translation: "Drones" is a rock album, with quotations more or less explicit (Queen, U2, AC / DC - from which comes the turn producer Matt Lange) and it is a concept, with songs related to each other, from the start to the long final suite. Reapers: An aggressive attack of drums, a guitar riff that seems to come from the AC / DC in acid or the "Flight of the Bumblebee" version in hard rock. Guitars leading players, high in the mix of instruments, including riffs and solos, with the distorted voice that screams "Killed by drones." The Handler Other riffone hard rock placed at the beginning, for the first song in the album sees the protagonist revolt against: "I will not let you control my feeling again (...), I'm escaping from your grip, you will never own me again. "Even here Bellamy has fun with the guitar, with an interlude of classical music redone in a rock, vaguely reminiscent of the new" Flight of the Bumblebee ". JFK / Defector A monologue of Kennedy's famous speech at the Waldorf-Astoria 27 April 1961, based on a string and electric guitars, opens and closes the song. Words give way to another riff granite: "Defector" is a song with echoes of the great inspirations of the Muse, Queen, voice layered with openings to emphasize the newfound freedom of the protagonist: "Free, yeah I'm free from society . You can not control me. I'm a defector." Revolt Another song, straight, perhaps one of the straightest of the album, with a nice opening melody and a couple of changes of time, while the protagonist sings the doubts of rebellion ("How did we get in so much trouble? / Getting out just Seems impossible "). One of the next single? Aftermath It slows down for the first time, with a Gioro strings and a guitar that reminds us of the first Dire Straits (yes, really), then opens in a ride that seems to "One", that similarity is strengthened when Bellamy enters with the gentle voice, and when he gets the battery. The only thing that looks like a love song: "From this moment, you'll never be alone." The Globalist/Drones is continued in decline: openness to Ennio Morricone, with the melody whistled, almost western style, highlighted by the slide and acoustic. The voice comes after the long instrumental intro, to sing the end of 'illusion of freedom, the hero takes up with the power of the drones, use them to destroy. For half the song recalls Radiohead, prior to the beginning of sound that marks the countdown to destruction, when they return electric guitars. After the destruction , turns into a ballad piano and voice. In short, the classic suite of end disk Muse, 13 minutes that flow into song almost church - there is a happy ending: "Killed by drones (now you can kill from your safety of your home with drones. "The last word is, not surprisingly," Amen. " If anyone has a better translation feel free, it's not my forte.
  19. Tobiiiaaas
    No, the article combines Globalist and Drones so in total the two tracks are 13 minutes.
  20. Tobiiiaaas
    Google translation but from that article "Drones" is a rock album, with quotations more or less explicit (Queen, U2, AC / DC - from which comes the turn producer Matt Lange) and it is a concept, with songs related to each other, from the start to the long final suite. Reapers: An aggressive attack of drums, a guitar riff that seems to come from the AC / DC in acid or the "Flight of the Bumblebee" version in hard rock. Guitars leading players, high in the mix of instruments, including riffs and solos, with the distorted voice that screams "Killed by drones." The Handler Other riffone hard rock placed at the beginning, for the first song in the album sees the protagonist revolt against: "I will not let you control my feeling again (...), I'm escaping from your grip, you will never own me again. "Even here Bellamy has fun with the guitar, with an interlude of classical music redone in a rock, vaguely reminiscent of the new" Flight of the Bumblebee ". JFK / Defector A monologue of Kennedy's famous speech at the Waldorf-Astoria 27 April 1961, based on a string and electric guitars, opens and closes the song. Words give way to another riff granite: "Defector" is a song with echoes of the great inspirations of the Muse, Queen, voice layered with openings to emphasize the newfound freedom of the protagonist: "Free, yeah I'm free from society . You can not control me. I'm a defector." Revolt Another song, straight, perhaps one of the straightest of the album, with a nice opening melody and a couple of changes of time, while the protagonist sings the doubts of rebellion ("How did we get in so much trouble? / Getting out just Seems impossible "). One of the next single? Aftermath It slows down for the first time, with a Gioro strings and a guitar that reminds us of the first Dire Straits (yes, really), then opens in a ride that seems to "One", that similarity is strengthened when Bellamy enters with the gentle voice, and when he gets the battery. The only thing that looks like a love song: "From this moment, you'll never be alone." The Globalist/Drones is continued in decline: openness to Ennio Morricone, with the melody whistled, almost western style, highlighted by the slide and acoustic. The voice comes after the long instrumental intro, to sing the end of 'illusion of freedom, the hero takes up with the power of the drones, use them to destroy. For half the song recalls Radiohead, prior to the beginning of sound that marks the countdown to destruction, when they return electric guitars. After the destruction , turns into a ballad piano and voice. In short, the classic suite of end disk Muse, 13 minutes that flow into song almost church - there is a happy ending: "Killed by drones (now you can kill from your safety of your home with drones. "The last word is, not surprisingly," Amen. "
  21. Tobiiiaaas
    'Because it would just be hilarious.' :LOL:
  22. Tobiiiaaas
    Yeah that would be good! Biffy Clyro have done similar collections with their last three albums, we had Similarities for Opposites, Lonely Revolutions for Only Revolutions and Missing Pieces for Puzzle
  23. Tobiiiaaas
    Maybe one day we'll hear some of them
  24. Tobiiiaaas
    :LOL:
  25. Tobiiiaaas
    Nah the iTunes one I saw said 9:47 I think
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