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kueller

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Posts posted by kueller

  1. 3 hours ago, MartianSpaghettiRider said:

    I want to see them performing in colourful ponchos to homage the country, like when they performed the gig in Ischgl while wearing Christmas sweaters.

    It would be a site to see.

    Sadly the site rejected any credit card I tried, so I will have to attempt again in the general sale with a proxy buyer.

  2. I know it's a rock symphony but it was still pretty heavily symphonic, as far as having an outlet of that kind.

    He can do whatever though and I'm surprised neither he nor Muse have ever done a full score yet.

  3. 6 hours ago, Jobby said:

    We’re talking about a band that’s used to having spaceship stages, floating acrobats, drones, giant condoms hanging from the rigging, rose-covered equipment, flashing drone orbs, shifting towers, flaming chimneys and backing it up with bright red suits, Beetlejuice suits, LED suits, ripped up halloween gear, gothic shirt robe things, glitter pants, afros, handlebar moustaches, Spiderman costumes, and all the hair and jean colours under the sun. Then Abso was just ‘oh we got a flashing piano I guess and here’s some greyyyyyyyyy’.

    Context. They weren't that band yet. Their aesthetic complemented well who they were.

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  4. 5 hours ago, Jobby said:

    Normally I’d agree with the performances vs variety thing, and Abso had a really good standard of performances dgmw, but idk...when you can start at one end of a whole 2 and a bit year tour and feel like everything’s pretty much exactly the same by the end, that’s a bit blegh imo. To say they only had 3 albums to represent, they got pretty poor coverage. And everything just looked the same and sounded the same and played out the same....eeeehhhhh.

    You can find a lotta the same fan favourites on other waaay more interesting and exciting tours as well, even if the performances for some don’t hold the same level. The tours as a whole are still miles better imo.

    I could say similar things about this current tour in that while the performances have been literally the same every night it's a good performance. I'd rather go to a ST show than roll the dice on a Drones show (in my area). There was some evolution too. Seeing performances from Le Trabendo and similar still has a bit of the OoS tour looseness and it's a lot more locked in and mature by the time they played the courtyard of Versailles. It's subtle, not as much as the surrounding tours, and the tones are largely the same I admit.

    The sets did not have hordes of deep cuts and Showbiz did not have high representation, but the sets constructed were strong and rarely, if ever, let up. BH&R has aged superbly with the fanbase but remember at the time it was controversial. The lighter pop songs weren't taken in all that well. The average Abso set was usually powerful from start to finish.

    That kind of ties into the Absolution era in general. Origin was where the iconic "Muse" sound formed but Absolution is when it began to really infect the world. You get the feeling of a band trying to be as big as they could be but still with that younger energy lingering from the past two tours. Like @Clunge said this was their "making" and it ability they were nailing it with consistency that has been hard to match in other eras.

    Now, as general historical context, I do think BH&R might be more interesting and I would like to see it get more attention for its importance. It was certainly a lot more varied, the most diverse tour locations to this date, and the transition from Absolution to The Resistance was a lot more dramatic. It was also, in many ways, the last tour where they had major evolution. Songs like Showbiz and Assassin are performed more or less the same as they were back then.

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