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kueller

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Posts posted by kueller

  1. I somehow managed to get myself logged in. I don't really know how I did it I ended up logging in twice and it just auto-redirected me to the forum. My Firefox at home can't even get the post from login working (maybe it's a setting). I'll see how this all goes.

     

    I'm glad to have it back.

  2. Good luck with that, but i wonder if the old posts will be lost forever. How far will you go back, 1 year or 2? Altough I only joined some years ago, I enjoyed reading through the old posts, its craziness sometimes, it would be a big loss, even more for the ones who have been here in those times.

     

    Only my thougts, maybe everyone else gives a shit about this :(

     

     

    Yes, I dislike changes as well .....

     

    Old threads get purged after a while anyways.

     

    So long, old friend :'(

     

    What was this one called, Doris? Or was that an old one that pooped out?

     

    Doris is the backend server I believe as it has had predecessors while the site has clearly not updated besides the graphics.

  3. Just please do not break the simplicity of this forum for some bloated modern script laden monstrosity. Not just personal preference here but I remember when Muselive did a massive forum upgrade and what was left of the site died hard within a year.

     

    But it's hard to fuck up that bad I think.

  4. Difference is I don't really see Break it to Me as this really huge track that warrants a "cooldown" song after. Maybe the most similar to Hysteria which also didn't warrant any cooldown.

     

    And style-wise the only one of those that I think is fitting is Micro Cuts->Screenager.

  5. You know he's used the Kaoss pad a few times since it's installation, and now with a proper song in Break it to Me. But he really stopped with the internal Fuzz Factory didn't he? The last song was Blackout and he even stopped playing guitar at all there. I want more crazy feedback.

  6. I've heard that stance from multiple people. After you know what's going on it just kinda ruined the surprise. And I guess since it was their new album (and they weren't basing their show around playing the album like some bands have) there wasn't much of a specialness to it.

  7. Absolution and Black Holes are this pair in the peak era of Muse (Black Holes I think fits in there in retrospect) that properly combine their energetic past selves with the theatrics that would define them onwards. Just for the sake of time when it was released one leans more towards the old and one towards the new, and anyone who favorites either tends to do so for those reasons.

     

    I do just prefer Absolution for the older lean. I don't think that's really hard to see the reasoning for its adoration? Even the poppier songs have some power to them and it's the last time for a while we'd get something properly personal and emotional. It's not necessarily an album I listen to all the way through but it's one where I love every song on. Although that reason has made me question whether I'd really have Origin top it.

  8. I think that's great use of one of the vocal break slots, to play some hometown-related stuff. Hope they keep that going.

     

    I think this could be fun. Think of the "hometown jam" they could do throughout the tour (or the typical stops they might not have announced yet). Enter Sandman again for the Bay Area? Nirvana in Seattle? Fucking nothing in the midwest? Breaking out the accordion in Paris?

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