Hat
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Everything posted by Hat
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I tried doing it here a while ago but it didn’t really get going Go for it though, make a thread!
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They definitely share some vocal melodies imo.
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A lot of people compare Break It To Me to RATM but the whole song reminds me of ATS-era Linkin Park, especially the ending. When They Come For Me or Wretches and Kings.
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Reminds me of Shiny Toy Guns tbh, especially that middle part.
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Algorithm isn’t really better than any random synthwave from the past few years. It just has vocals by Matt which makes it more than average. That’s my hot take of the day
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Feels like the A4s and Bb4s in GUAF would be the exact thing that Tove Lo would be asked to sing. But I guess it most go even higher later?? Or is it actually her voice? But yeah it’s on those Bb4s that he sounds super unnatural. But maybe he has simply started sacrificing his thick tone for higher notes? Brendon Urie for example does it all the time, basically thinning out as he eats higher to squeeze out those high notes by Matt has never really let go of that thick tone but instead made it THICKER with his hero voice.
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Yeah he definitely sounded impressive, but also like the Martian says he sounded pitch shifted in GUAF. Haven’t pitched anything myself yet but I’ve heard he sings A4s and G#4s at least.
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Blockades sounds like Muse by numbers, just like I thought. The snippet basically sounds like a “how to sound like Muse” parody. Also think that the alternative versions of Algorithm and The Void will stand the test of time much better. Their album counterparts sound cool but also VERY much like the retrowave fad. Also GUAF sounds really bad to me. Much more excited about BITM.
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What was your username on those?
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All reviews are biased. They’re opinions.
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Damnit guys I thought you were actually ranking the songs, meaning the album had leaked.
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2018.11.14 iHeart Radio Album Release Party, New York, NY, US
Hat replied to shostakobitch's topic in Gigs
So, now it's up on official channels. -
Wise words from a wise man.
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Well your reasoning was that we should avoid speculation based on sources that aren't official, and that's never really been an issue before. Of course we should see these things for what they are though.
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So from now on we should also avoid discussing information coming from fans who say they've met Matt? You know, like the whole "one heavy song, one acoustic song being recorded" thing?
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Damn you're quick. Yeah I deleted because I understood what you meant after my third time reading it
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Yeah by the sounds of it Blockades is a very stereotypical Muse song, which means that it's pretty forgettable in comparison to the rest (for reviewers at least). I'm sure loads of fans will love it.
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Different reviewers each time though. Don't get why people think that every reviewer represents the overall opinion of an entire site/magazine.
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Well they're only playing the acoustic versions to people who already know them. It's not like they have to release them as singles. Pretty much all artists who do acoustic versions have to sacrifice detail, and that's pretty much the point. Acoustic versions are MEANT to be stripped down. And I wouldn't say that Muse are only epic because they use synths and electric instruments. Personally I love their melodies but hey, maybe that's just me Oh and https://www.youtube.com/watch?v=TyDGnQxLrZg https://www.youtube.com/watch?v=W48pirvuXsA
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Maybe, but I also feel like Matt has always been very aware of what he can do live. T2L is really the only album where he went all out and didn't seem to care about how he would do it live. I don't think that many will be lowered personally, but maybe one or two. I think it's more likely that he won't sing very high even in the studio. Morgan is hiding the best range of them all and you know it
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It's most definitely not in the 6th octave. Matt can't get that high on command even when screaming. Consistently sung chest A4s and Bb4s are enough for Matt to tap out. And I doubt the plan was ever to have him try and sing in Micro Cuts like pitches. Feels like they would just lower it an octave if that was the case. And yes Matt has technically "reached" the 6th octave by yelping. But even that's not screaming to a specific melody. Very different to go "WOOOH" than to actually recreate melodies and actual words.
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Don't think it it ever said "extremely" high note or that Matt couldn't get that high. He said that he couldn't get that high without screaming, which was why he wanted someone with a higher placed voice to do it. Could be anything between A4 up to A5 I guess, but probably not above like F5 or so.
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Somehow I doubt there will be a dubstep drop in Break It To Me.
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"I think some of the music that we do now sound better to be performed in acoustic, not like the music we were doing during the Showbiz and Origin of Symmetry era" Muscle Museum, Falling Down, Sunburn, Hate This & I'll Love You, Unintended and Cave all work great acoustic, wtf you on about Chris
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80% of all Muse songs have the same structure.