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Hat

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Everything posted by Hat

  1. Fair enough. I can definitely see how for example the Showbiz scream can be seen as head voice, but I still think it's way too airy, even though I may have been a bit harsh when I was completely rejecting the thought.
  2. Hmm, do you think all countries have their own names? :p

  3. Oh, I thought it was like "what does he meean?"

     

    it's just a nickname for Simon(a very unusual one).

  4. Really? What question?

  5. :phu:

     

    Maybe, what did you think of Bells?

  6. Nah, couldn't remember posting about it, so I checked the thread. No posts made by Sippe. :)

  7. (For your information I haven't posted a single post in that thread ;))

  8.  

    Yeah, it seemed pretty good. Shame we have to wait a few months between every good concert Muse does :awesome:

  9. haha, not really. He sings and plays like he is doing Wembley, at every show. Something that poor lazy Matt does't even do at Wembley.

     

    Indeed, oe of their best songs and one of the best moments in a song <3

  10. if this doesn't blow your socks off, I don't know what will!

     

    Haha, singing along to Muse songs are nice, although I struggle with some low notes and things like "I WILL AVEEEEEEEENGE" in CoD :( But the falsettos are no problem :awesome:

  11. I know they are, but they are still amazing :phu:

  12. Nah, Miseryhead is very loved. The power in his voice in this performance...DAMN

     

  13. I know! I heard them for the first time in like June last year :(

     

    Pfff, it is :phu:

  14. I know it is. It just moves so awkward to my music <3

     

    :LOL: yes I am very fond of that pic. :happy:

     

    Jimmy Gnecco, mmm <3

     

    http://www.jimmygnecco.com/pages/?cat=6 this might not be such interesting reading for a new listener, but there is no words to describe my love for that man <3

  15. Moving this discussion here :p

     

    I'm enjoying it so far. OMG, JUST REALIZED HOW WEIRD YOUR AVATAR GETS TO SOME MUSIC.

     

    Oh well, Distorted Lullabies, woho :awesome: You should try the album Mercy too.

  16. My definition of falsetto is as you say, open vocal chords with lots of air. But it is still a sound of the head voice, otherwise it's just airy chest voice. There is no denying that there IS a break between what I call the full voice and the falsetto. How do you explain this break? Do you sing yourself? Any trained singer will tell you that you can go up in head voice(sound resonates from head) without breaking from the chest. You agree with this. This is also why you can mix the two, because of the chest connection that you can use. But when you try to go into falsetto, there is a clear break in the voice, it IS not physically possible to go into what Matt does in for example the ending of CE without breaking from the chest voice. There is no connection. You said yourself that this is falsetto, how do you explain this break in the voice? When I go higher in the falsetto, the vocal chords will tighten up, yes, but I am still using all of it, compared to head voice where the chords close up entirely(not all the way up ofc). This is the main difference. As explained in this video. By that definition, yes, in a way he always uses head voice for the high notes, because the sound resonates from the head, but it is still falsetto, because of the way the chord closes. You have said before that the voice closes up and the "hole" is smaller for head voice. I agree with this, but what I am saying is that you can reach high notes by just making the chord tighter.
  17. For some reason I read that as Marilyn Manson. Goddamnit. Give me an example of when SHE does this. I never said falsetto is a vocal register. It is a tone of the HEAD register, and impossible to create with the chest voice. The falsetto isn't a part of the modal/full voice. Try singing a chest note, and then going up to falsetto without breaking. You may be able to hide it well, but it IS physically impossible. At least by the standard definition of what a falsetto is.
  18. Can you give me an example where he does this? And once again, your definition of a falsetto makes it IMPOSSIBLE for it to be stronger than head voice, since by your definition, when a falsetto becomes strong and high it becomes head voice. By the standard(most used) definition of falsetto, it's much easier to reach high notes, since falsetto requires a lot less strain and tension(not saying that tension is bad).
  19. Okay, now I'll try to do this without my pissy 4-5 am mood. That is your definition, fine. But I'm pretty sure that the "false voice" refers to the tone, not strength ""head voice" is NOT a register, it's a mode within the falsetto register" Really? I have never heard it been described as that before, it has always been the opposite(of people even say there IS a difference). Chest vs Head voice depends on where the sound resonates from, right? The falsetto is a tone of the head register, which is why its got the name "false", because of the way it sounds. It's called head voice because it resonates from the head. It just seems confusing to use the "Head voice" term as anything else than the definition of voice that resonates from the head, unless you are saying that falsetto can be done without the head voice.
  20. Yes, that was my fault. I blame lack of sleep at 5 am Just because his falsetto sounds light and airy at some times doesn't mean it always has to. The falsetto is more than that. Statements such as "t's not really possible to scream without using the full force of the chest" are still unexplained and you can't really back up a statement like that. What is screaming? It's no different than any other thing you can do with your falsetto. If you have a powerful falsetto, it's VERY possible to "scream". And many artists do so, Robert Plant, Adam Lambert and Jeff Buckley are just a few of them.
  21. Yes, I know that Matt replaces a lot of strong notes with lighter falsetto ones. But we are talking about the HIGH notes. Like the ones in Showbiz, KoC and Micro Cuts. If that "YEAH" is even using his head voice(not sure, will have to listen again later), it is definitely a mix and uses a lot of chest, which is not what we are talking about. WE are discussing the high notes that uses the tops of the head and barely any, IF any, chest. And like I said, how can you tell the difference? You said they sounded alike because of distortion, then how do you tell them apart? You said by the duration of the notes, which isn't true for any of these songs. To me these notes sounds just the same live as on record(except for KoC which is VERY hard to hear). I still don't get how you tell them apart. The thing that started this argument was that you claimed his notes to be too powerful to be falsetto, which you have yet to explain.
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