frozenbanana
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Everything posted by frozenbanana
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On Drones now. Whahahahaha.
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Fairly sure Globalist contains the line "it's you an me bae". I don't care if the lyric book says "babe", he sings "bae" Also, for those wondering what's after the countdown... it's definitely the high point of the song
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Ok what is up with the production in the Globalist? It sounds like it was recorded with Garageband EDIT: until the vocals EDIT 2: this is really good
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mm aftermath was great until the vocals (but rewarming to it again)
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Revolt sounds like Kelly Clarkson meets Queen lol EDIT: Christ, Matt's guitar work is all Brian May
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The Handler's still awesome as fuck
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Getting through Reapers now, almost into the meat of the album. Getting excited and scared at the same time.
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Also once again thanks to certain board members (you know who you are) for being such legends about this
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This second half is quite something
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NSC, narrowly
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Well I play EP in standard, but others seemed pretty sure so I went with it. And yeah, it doesn't.
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Ah right, didn't realise Exo was drop D. Cheers.
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Just occurred to me that Reapers - The Handler - Defector is 3 drop D (which is generally another way of saying "heavy") songs in a row. Is that the first time Muse have done this?
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Take a Bow and Butterflies and Hurricanes have lots of Matts but they're immense. Not worried about that.
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Defector's gonna be great. Interested to hear Revolt and Aftermath after that NME review. Given this board's hatred of positive love-ish songs, I reckon they're not gonna go down too well.
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Gave myself an hour break from listening to it, then was blown away all over again. It's immense. As someone that really liked what I heard of Defector and the Globalist (especially the outro), I'm pretty chuffed to be here now.
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I second this question
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I bet the solo sounds great live. Also it reminds me far more of TSP's guitar interludes than In Your World.
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Totally agree. This could only really be a Muse song. I can't sit there and say "oh this sounds like something else" because on first impressions it doesn't. Anyone else getting a serious earlier Muse vibe from that "Aiiaaiiiaiiiiaiiiiaiii" vocal bit Matt does towards the end in one of the heavy sections? It's got that kinda weird vibe about it...
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The falsetto
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Love the way Annie Mac goes back to playing shite immediately afterwards
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This is the most Abso thing I've heard in a while
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Holy fucking hellfire
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Muse has disappeared on Spotify for me (in the UK)