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~Tom

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Posts posted by ~Tom

  1. Seems a bit pointless doing these anti-tout measures if the touts would be able to change the name on the card and tickets anyway

     

    That's a fair point, but really if I'm changing the card details to one with the same (uncommon) surname, they should be able to tell I haven't just flogged them on eBay.

  2. What time's the best to be there for a reasonably close spot? I mean it is a small venue but it'll still be cool to be close to the stage!

     

    The smallest (**MUSE) gig I've been to is the Teignmouth one, and we turned up at about 8am (travelled from North UK), and there were still half a dozen people ahead of us camped out. Really there's no such thing as 'too early' on gig day. Take from it what you will that it's a really small venue.

  3. I have the same problem, my other half got me a ticket but paid for it with his credit card. Will try ringing the Academy tomorrow and let you know how I get on.

     

    I daren't get my hopes up until I know!

     

    Thanks, friend! :D

     

     

    I did the same thing, I called Ticketmaster and what they did is refund my mum's money and she paid it on to my card and then they took it from my card and put it in my name with no problems :)

     

    Oh snap, what number did you ring and what did you say for this to be sorted out? Do you think that method would work here (what with the tickets being sold out, and all)?

  4. Paperless tickets... Uh oh.

     

    I just got back to find my mum (bless her) has got me two tix for my bday. Now, apparently you need the cardpayer's ID to get in (and for them to go in with you!!)

     

    She's bought them for me and a friend, and she can't go because of spinal problems. Does anyone have any clue about what the policy on the door is? I.E. if I take her ID, or she comes along to prove we haven't scalped them?

     

    Or has she just lost ~£90? Can't even re-sell them on Ticketmaster's fav scalping website, because the same problem arises. Fucking daft.

  5. Selling my MISA digital Kitara (what Chris uses for Madness) – haven't been able to play for the best part of a year because of circumstances outside of my control, so I'd rather it went to someone who could use it rather than sitting around gathering dust. Very cool presets and custom settings on the Kitara direct into a normal amp (I used a VOX tube), or you can hook it up to an audio program and make some twisty noises, use it for audio sampling, pitch modulation, dubstep, etc.

     

    A decent example of what it can do (I recommend going about 1/2 way into the video):

     

    Used, but good as new – bought for £700, selling for £400 with all the neccessary stuff that it came with. Will post overseas (I'm based in the UK), but obviously postage will be higher.

  6. Thanks guys :) It's just Boss GT-10 - I used autoriff(16 steps) with Patcher's octave pattern, limiter, and a bit of distortion.

    Can anyone elaborate on this? I have not a clue how to use the autoriff setting on teh g1-10 to get a good MoTP setting :s

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