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EternallyPissed

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Posts posted by EternallyPissed

  1. 24 minutes ago, Bohemian-Cygnus-Running-Out said:

    Wow so much to say!

     

    So. 37 minute album, based on a screenshot from how reliable of a source? I’m gonna assume it’s right, but I would like to know if that’s a confirmable source or not. Anyway, 37 minutes. Many of my favorite albums of all time fall under the 40 minute mark. Back when vinyl ruled the world, that was pretty standard, and ten tracks all around 3-4 minutes was also pretty standard. Muse have made a lot of weird, non standard albums in their time. Even ST had that whole disc of alternate versions. For them to sit down and focus on making a tight, catchy, pop rock record in their own way is actually a new twist for them. On the flip side. Having now heard 20% of the final album, I’m not gonna be listening to any new singles. In fact I may stop visiting the board until release day when the next pre-album single drops. Only reason I listened to so many singles off of ST before it came out was because they were sooooo spaced out and I didn’t really love the first two anyway. I’m on board with WSD mostly, and I am full throttle on board with Compliance. If it were a whole album of Compliance and the heavy bits of WSD I’d be absolutely in love, even at the shorter length. Sounds like there’s probably going to be a lot more variety (which is what I do expect from Muse), so I’ll just be on the edge of my seat waiting to hear what styles they bring back and what styles they still write well.  Waiting to august will be hard, but someone made a great point about the vinyl backups and shortages possibly pushing the release date back. I totally get that, and I do prefer it when digital and physical releases aren’t separated by more than a few days. I’ll absolutely be preordering one of those fancy colored vinyl packages with the signed art cards! I’ve not much use for cassettes, but I’ll think about the super deluxe. The only thing that really bugs me is a headline I saw about Compliance being a possible anti masker song, which is going to do them absolutely no favors on social media or with the major YouTube critics (who haven’t generally been positive on them in over a decade anyway). I’m fully expecting to read a bunch of people who’s opinions I respect trash this record while I adore it to bits. T2L round 2? It may be my least favorite Muse album, but I still love just about every track on it. 3rd favorite band and only one that’s still kicking, let’s go!

    Do you have a link to that headline/article? Just curious. I haven't seen it yet.

  2. 19 minutes ago, Jobby said:

    There are three tracks over 4 mins, two of them basically 5.

    Honestly, the wait to August is weird and sucks arse but I never get the complaints over length. There’s nothing stopping a short album from being great and nothing about a longer album that guarantees it being any better. People moan when albums have filler or repetitive songs like Psycho, but then get pessimistic about a shorter track length. I know they’re not mutually exclusive but come on ladssss, why is negativity always the default?

    This! 

  3. 1 hour ago, Hat said:

    "One shouldn't be judged for the person they were, but for the person they've become."

    Yeah and Matt is still writing the exact same lyrical content as then. And while dismissing the conspiracy nutters in interviews, he still acts as if his own words have no effect on the world whatsoever, while also wishing for his lyrics to inspire people. You don't really get to mirror the statements of the conspiracy nuts who these days have proven to be quite dangerous to society, while also claiming that you have no part in the spread of their propaganda. 

    Also don't really buy your argument that since it doesn't matter if you provide a flat-earther with evidence, you might as well give into the discourse and use it in the same way they do...but just remove the words "flat earth", so you can pretend to sit on the fence while supplying fuel for the fire. 

    Now, maybe Matt surprises us all and comes out with the most poignant dismantling of these matters that we've ever seen. But your argument that he can't help how a listener interprets a song is just...flawed. Sure, even Rage Against The Machine have some right-wing nutters thinking they're talking about the modern left, but don't you think that crowd would have been slightly bigger if RATM actually intended to write for right-wing nutters? Or do you really think that it doesn't make a difference?

    Let me put it like this: Muse's social media comment sections these past few days have been full of people going "So true. The governments have already kept us locked inside for 2 years under the guise of fear. And they're still pushing their supposed "vaccines"". But for some reason...I don't see these comments on the social media sites of my other favourite artists...

    This post is so filled with informal fallacies, I'm not going to even touch it. It should be the subject of a community college critical thinking course for the class to dissect. Feel free to continue with your fallacies. I'm done here, for I must complete a poem I started, where I will specifically detail what my intent is and how others should interpret it within the writing, because isn't that the joy of art? Being told what to think and feel when subjected to it?

  4. 18 hours ago, That Little Animal said:

    Here’s my issue with that. Phrases like ‘just entertaining the ideas’ and ‘just asking questions’ have been hijacked to become gateways into nefarious narratives that people are meant to stumble upon when they ‘do their own research’ surrounding these topics. 
     

    So like I said earlier, questioning the Man and kicking against the establishment are very healthy sentiments and I only encourage it. But when you have a sizable audience like Matt does, you have a bit of a responsibility. Adopting and repeating certain phrases without considering their origins or adding any nuance might send people down information holes that are objectively harmful. Even if he himself hasn’t adopted any of the viewpoints or movements whose catchphrases he’s broadcasting. 

    I know Matt’s not a CoVid-19 sceptic nutter. Or a Qanon follower, or an alt-right figure (do people still use that phrase?). And I’m sure there is plenty to be critical about when you consider the WEF, for example. Just like there was plenty to be critical about when Bush invaded Iraq. But not everyone critical of that war ended up on Infowars elevating Alex Jones’ dangerous self-enriching parade of harmful nonsense. 

    Okay, and I'm guessing if he were inquired about it today, Matt would say he regrets appearing on "The Alex Jones Show." Said interview occurred 16 years ago. How much has changed since then? I know I've changed. He made a mistake; has illustrated progression since then; and as I always say, "One shouldn't be judged for the person they were, but for the person they've become."

    I do think there's a stark difference between intentionally spouting specific disinformation like, say Joe Rogan has with regard to COVID, and writing/singing vague lyrics, which can be interpreted in numerous ways. In the former example, the purpose of the speaker's message is to misinform his listeners and provide them with specific fabrications to either spread to others or try for themselves (or both). In the latter example, however, that's not the writer's/singer's intent. How can he help how a listener interprets a song? Let's be honest; even if he were to elaborate on the message and inspiration of a song in an interview, there will be some who deny his words and interpret the song as they so choose. It's like with anything nowadays. Provide a "flat-earther" with consistent scientific and visual evidence that the earth is indeed round and what are the odds he/she will suddenly see the light and believe said fact? Given my experience, very low.

    I write satire, and there have admittedly been times when I've been approached by a reader or listener who had misinterpreted a message I was attempting to convey through my work. Now, there are times when the interpretation is so out in left field, yet not antithetical to my general message, I find the creative thinking to be fascinating, and won't necessarily correct them, unless they ask for me to do so. On the other hand, there have also been times when an interpretation has run so contrary to my intent, as to become offensive, I've felt the need to be completely upfront and say, "Eh, no, here's how it actually is." At the end of the day, though, how much control can I realistically have over how others interpret my work? Similarly, how much control can Matt have over how others interpret his?

    • Like 3
  5. 17 hours ago, Bohemian-Cygnus-Running-Out said:

    Well well well, this is all very cheery! 😅

     

    Is it at all possible Matt's going to try and write from there perspective of people he doesn't agree with?  Not like portray the "villain" (hate to be using that here we are talking about real people, however misguided, but for narrative purposes...) as the protagonist, but just singing from that misguided and militant perspective to try and better reveal the cracks in its own philosophy? Like maybe Will Of The People is about people protesting mask and vaccine mandates, but narratively the song will go in the direction of showing that this "Will Of The People" is informed by crackpot news anchors and conspiracists rather than science and compassion, and ends up leading many of those same people to their own demise?

     

    Or is that too difficult of a tightrope lyric for Matt to write, and instead he's just going to try and blend a variety of social issues into one song with some gestural slogans and easy to misinterpret references to the unrest that has become our society's daily life?

    I've been wondering that too. In the band's latest photo, promoting "Compliance," I see on Chris's jacket the words "there's one in every family." Sure, that could mean a lot of things, but given what we know about the album thus far and what Matt has said about COVID, Black Lives Matter, Trump, etc., I have to wonder if said words refer to the "nutter" in every family - you know that guy the rest of the family secretly refers to as Crazy Uncle Frank after he leaves Thanksgiving dinner drunk in an Uber, due to all the conspiracies he shared while chugging his 13th Busch Light, with gravy dripping from his chin.

    • Like 1
  6. 2 hours ago, Citizen_Eraser said:

    Idk who Laurence Fox is but on that specific topic, doctors were prescribing that drug.

    It's a multi faceted drug that there are human doses and applications for. The whole narrative that a bunch of nuts are going to farm supply stores and buying horse de wormer off the shelf was spread by the same morons that thought people actually drank fish tanker cleaner (mistaken for hydroxy-chloriquine) and died.

     

    Edit: But yeah, like Jobby said. Lets not get into talking about stuff like this here.

    Well, you're right that Ivermectin can be used to treat animals, as well as humans. It seems a lot of people believe a dose of the former is the same as a dose of the latter, but that's incorrect. Having said that, though, it's an anti-parasitic drug which studies have consistently shown doesn't prevent COVID symptoms worsening from mild to severe. Also, most doctors won't prescribe it for said virus. Those that do are often times in telehealth/telemedicine. Lastly, while the occasions have been scarce (at least lately; I'm unsure on the frequency before this year and am too lazy to look it up at the moment lol), people have taken the horse-dewormer dose, which has resulted in severe illness, and even death.

    As a side-note, I honestly had no idea who Laurence Fox was before seeing his name on this thread prompted me to look him up. That will probably be the last time I look him up for anything. Yikes.

    https://www.npr.org/sections/health-shots/2022/02/09/1079183523/what-a-bottle-of-ivermectin-reveals-about-the-shadowy-world-of-covid-telemedicin

    https://www.medicalnewstoday.com/articles/not-a-miracle-drug-experts-on-ivermectin-in-covid-19-treatment

    https://www.koat.com/article/ivermectin-overdose-covid-19-new-mexico/37548538#

  7. 1 hour ago, Jobby said:

    ^ this is a good post (eternallypissed)

    I recognise that it is likely irrational worry. Probably mostly a result of familiar phrasing triggering our experiences with all that shite over the last couple of years. Matt’s never been perfect with his words but you don’t get the sense he’s a dodgy bloke, so it’s always worth the benefit of the doubt regardless. That said, they should be aware of how these things can be construed and the kind of toxic dialogue it can breed in the current climate, but that unintentional slip isn’t necessarily anything new to Muse and it’s not a big problem.

    I said in a comment somewhere else that, a statement like that wouldn’t have stood out at all anytime in the past by Muse standards. It’s just the glaring context of what the world’s gone through when it was written.

    Thanks. That's a fair and reasonable take. I just know Matt has said previously he focuses on the music first, lyrics second, and I have a hunch many of us read a bit too much into things at times. One thing I've always liked about Muse is they don't seem to take themselves too seriously, so while we may read a lyric and think, "WTF?!?," Matt, Dom, and Chris may see the same lyric and chuckle, as they say to one another, "Remember what inspired this song? I'll never do shrooms and watch that 'Bob Ross Painting' show again!" Personally, I'm just excited for a new album. I'll analyze and grade it after I listen to it and read the lyrics a few times.

  8. Okay, so I can understand how some could take "Won't Stand Down," "Will of the People," and the recent post regarding "Compliance" as a sign the new album's theme will center around espousing COVID-19 conspiracies and other right-wing talking points. However, even though some of these terms and lyrics are vague and could, in turn, be interpreted by some anti-vaxxers/maskers as defending their beliefs, I can confidently say Matt Bellamy is not a COVID-denier/anti-vaxxer/anti-masker/right-winger.

    First off, since the inception of the pandemic, Bellamy has been sending masks and other supplies to healthcare workers - his cousin, in particular. On his Instagram page, he wrote the following:

    "Very proud of my cousin Dr. @clairebellamy saving lives on the front lines in A&E/ER with the #nhs I'm sending her (for her and her colleagues) spare masks and stuff from our garage/#burningman supplies (hoping fedex can get it through from the US). Have a rummage through your garage and see what you can find to help #nhsheroes #clapforourcaers #healthcareforall"

    With regard to COVID, he's said this:

    "I think things could have been handled better. The dithering about whether to lock down or not probably will be seen as a mistake in the long-term, particularly in the UK.

    And over here, obviously the leader (Boris Johnson of the Conservative Party) is an absolute buffoon, who as soon as he hears any conspiracy theory or any kind of alt-theory about some medication, you know, he'll speak about it publicly and without realising it's not actually tested or anything like that.

    There's definitely some very specific examples that I think both leaders (Donald Trump as well) have completely fumbled the ball."

    Speaking of Trump, here's what Matt tweeted about him:

    "When a 'clown' takes the throne. Sorry I meant 'nazi c**t' #ImpeachTrump #digdown"

    Bellamy has never been one to shy away from exploring conspiracy theories, perhaps more for curiosity's sake than anything else, but I think it'd be highly inaccurate to contend he's a COVID-denier/anti-vaxxer/anti-masker/right-winger or that his intent with the upcoming album is to defend said demographics' beliefs - in particular regarding the virus.

    https://www.iheart.com/content/2020-03-28-muses-matt-bellamy-praises-cousin-working-on-covid-19-frontlines/

    https://www.rollingstone.com/music/music-news/muse-matt-bellamy-interview-coronavirus-quarantine-999208

    • Like 1
  9. 5 hours ago, EternallyPissed said:

    I've been writing/recording parodies over the past year or so. After releasing the anti-vaxxxer-inspired "On the Wrong Side" (based off "Mr. Brightside"), I got dared by a Twitter follower of mine to write a parody to the tune of Muse's new song, so I did that. I haven't recorded it yet, but here is the conspiracist-inspired parody, in case anyone might be curious:

    “World Ain’t Round” (parody based off the Muse song, “Won’t Stand Down”)

    I went on the web, to find some depth, to my tinfoil-hat conspiracies

    I know that I’m right, so let me try, to fit this square peg in a circle

    Your science is wrong, I heard in a song, written by a voice in my head

    So back to YouTube, with some scary dude, calls himself GeniuserThenAll

     

    I went on the web, to find some depth, on what I always want to be true

    I know that I’m right, so let me try, to go and prove that which can’t be proved

    Your science is wrong, I heard in a song, sung by voices in my head

    So back to YouTube, with some scary dude, who appears to be on something

     

    World ain’t round

    It’s just way longer

    World ain’t round

    A hoax is Armstrong

    World ain’t round

    Greeks photoshopped five-thousand years ago

     

    The moon is fake, so the landing was staged, just close your eyes at night to see

    Illuminati, to rule all that is free, of course led by Lady G

    In Roswell there were probes, green men said, “Disrobe!,” just watch all of those movies

    COVID was made up, vaccines control us, all robots since we were babies

     

    The moon is fake, so the landing was staged, astronaut suits are costumes

    Illuminati, rulers of all that is free, of course led by Jay-Z

    In Roswell there were probes, green men said, “Disrobe!,” just watch all of those movies

    COVID was made up, vaccines control us, all robots since we were babies


    World ain’t round

    It’s just way longer

    World ain’t round

    A hoax is Armstrong

    World ain’t round

    Greeks photoshopped five-thousand years ago

     

    World ain’t round

    Can’t fall down

    World ain’t round

     

    World ain’t round

    It’s just way longer

    World ain’t round

    A hoax is Armstrong

    World ain’t round

    Greeks photoshopped five-thousand years ago

     

    World ain’t round

    World ain’t round

     

    ...to be continued...

    ...and here's a link to the song/parody. - https://ifeelsnitty.podbean.com/e/world-ain-t-round-parody-based-on-the-muse-song-won-t-stand-down/

  10. I've been writing/recording parodies over the past year or so. After releasing the anti-vaxxxer-inspired "On the Wrong Side" (based off "Mr. Brightside"), I got dared by a Twitter follower of mine to write a parody to the tune of Muse's new song, so I did that. I haven't recorded it yet, but here is the conspiracist-inspired parody, in case anyone might be curious:

    “World Ain’t Round” (parody based off the Muse song, “Won’t Stand Down”)

    I went on the web, to find some depth, to my tinfoil-hat conspiracies

    I know that I’m right, so let me try, to fit this square peg in a circle

    Your science is wrong, I heard in a song, written by a voice in my head

    So back to YouTube, with some scary dude, calls himself GeniuserThenAll

     

    I went on the web, to find some depth, on what I always want to be true

    I know that I’m right, so let me try, to go and prove that which can’t be proved

    Your science is wrong, I heard in a song, sung by voices in my head

    So back to YouTube, with some scary dude, who appears to be on something

     

    World ain’t round

    It’s just way longer

    World ain’t round

    A hoax is Armstrong

    World ain’t round

    Greeks photoshopped five-thousand years ago

     

    The moon is fake, so the landing was staged, just close your eyes at night to see

    Illuminati, to rule all that is free, of course led by Lady G

    In Roswell there were probes, green men said, “Disrobe!,” just watch all of those movies

    COVID was made up, vaccines control us, all robots since we were babies

     

    The moon is fake, so the landing was staged, astronaut suits are costumes

    Illuminati, rulers of all that is free, of course led by Jay-Z

    In Roswell there were probes, green men said, “Disrobe!,” just watch all of those movies

    COVID was made up, vaccines control us, all robots since we were babies


    World ain’t round

    It’s just way longer

    World ain’t round

    A hoax is Armstrong

    World ain’t round

    Greeks photoshopped five-thousand years ago

     

    World ain’t round

    Can’t fall down

    World ain’t round

     

    World ain’t round

    It’s just way longer

    World ain’t round

    A hoax is Armstrong

    World ain’t round

    Greeks photoshopped five-thousand years ago

     

    World ain’t round

    World ain’t round

     

    ...to be continued...

  11. 2 hours ago, Clunge said:

    All three are utterly superb bands. Mastodon really deserve to be one of the biggest bands on the planet, the journey their music has undergone over the past 20 years is remarkable. Leviathan through Emperor of Sands are all 8 or 9/10 albums, I particularly like Once More Round The Sun for that Motherload/High Road combo. Emperor of Sand has so many high points too. I'm a little disappointed by their latest effort Hushed and Grim, if only because it feels a little bloated. Fun fact though; H&G was produced by Dave Botterill, who produced Origin of Symmetry.

    Deftones are consistently brilliant and have been for two decades too. And I regularly go back to Red by Baroness. Few other suggestions for you if not already on your radar, really 'metal' so to speak, but all beefy:

    Amplifier – Amplifier (self-titled); Arcane Roots – Melancholia Hymns; Black Peaks – Statues; Cave In – Antenna; Kyuss – Sky Valley; Monster Magnet – Spine of God; Oceansize – Frames; Porcupine Tree – Deadwing (although In Absentia, Lightbulb Sun and Stupid Dream are all 10/10); and Turbowolf – The Free Life

    And I recommend everyone giving Opeth a go at some stage. You'll love them or hate them, but Blackwater Park is truly one of the best metal albums of all time.

    I second the Monster Magnet recommendation. I just started getting into them a few months ago. They've got some great tracks on all their albums, so I'd recommend giving them all a gander. My two personal faves, though, are "Last Patrol" and "Dopes to Infinity."

  12. :: looks around for a moderator who would chew me out for this post ::

    Random post, but it pertains to "Won't Stand Down," so I'm going to just go with it.

    I've been writing/recording parodies over the past year or so. After releasing the anti-vaxxxer-inspired "On the Wrong Side" (based off "Mr. Brightside"), I got dared by a Twitter follower of mine to write a parody to the tune of Muse's new song, so I did that. I haven't recorded it yet, but here is the conspiracist-inspired parody, in case anyone might be curious:

     

    “World Ain’t Round” (parody based off the Muse song, “Won’t Stand Down”)

    I went on the web, to find some depth, to my tinfoil-hat conspiracies

    I know that I’m right, so let me try, to fit this square peg in a circle

    Your science is wrong, I heard in a song, written by a voice in my head

    So back to YouTube, with some scary dude, calls himself GeniuserThenAll

     

    I went on the web, to find some depth, on what I always want to be true

    I know that I’m right, so let me try, to go and prove that which can’t be proved

    Your science is wrong, I heard in a song, sung by voices in my head

    So back to YouTube, with some scary dude, who appears to be on something

     

    World ain’t round

    It’s just way longer

    World ain’t round

    A hoax is Armstrong

    World ain’t round

    Greeks photoshopped five-thousand years ago

     

    The moon is fake, so the landing was staged, just close your eyes at night to see

    Illuminati, to rule all that is free, of course led by Lady G

    In Roswell there were probes, green men said, “Disrobe!,” just watch all of those movies

    COVID was made up, vaccines control us, all robots since we were babies

     

    The moon is fake, so the landing was staged, astronaut suits are costumes

    Illuminati, rulers of all that is free, of course led by Jay-Z

    In Roswell there were probes, green men said, “Disrobe!,” just watch all of those movies

    COVID was made up, vaccines control us, all robots since we were babies



    World ain’t round

    It’s just way longer

    World ain’t round

    A hoax is Armstrong

    World ain’t round

    Greeks photoshopped five-thousand years ago

     

    World ain’t round

    Can’t fall down

    World ain’t round

     

     

    World ain’t round

    It’s just way longer

    World ain’t round

    A hoax is Armstrong

    World ain’t round

    Greeks photoshopped five-thousand years ago

     

     

    World ain’t round

    World ain’t round

     

     

    ...to be continued...

     

     

     

    P.S. I've also been concocting some playlists, including a few for Muse, in case anyone is interested. -

    https://music.youtube.com/search?q=craig+rozniecki

     

     

     

     

     

    • Like 1
  13. 4 hours ago, Citizen_Eraser said:

    Hell yeah, from checking them out to straight to Cassandra Gemini lol - good for you. That one normally isn't for the uninitiated to the Volta.

    The payoff at the end of the song when it goes back into the chorus from part 1 is one of my all time favorite things in any piece of music.

    Ha! Yeah, I bet not! Well, I could immediately tell I liked their style and sound, so when I saw they had a 32-minute track, I thought, "Oh, I HAVE to check this out." lol. The ending is pretty fricking classic. 

    Purchased their 6 LPs the other day; have listened to the first three all the way through; and am hoping to listen to #4 tonight. We'll see how early my 3-year-old falls asleep. 😬

  14. After listening to the new song several times, while I enjoyed it initially, I seem to be loving it more by the day. I actually always liked Bellamy's up-and-down vocal delivery in the verses. That and the breakdowns were the initial highlights to me. However, after hearing it more, the chorus has gotten ingrained in my head for the past 24 hours (at least); the drastic change between verse, chorus, and breakdown actually seems to work; and I'm now even digging the loud bass thumps at the start. Between this and the comment the producer made on Instagram about the album only getting heavier from here, this has to be the most pumped I've been for a Muse album in quite some time, maybe ever.

    Side-note: Whoever it was that mentioned The Volta Mars, thank you! I've been listening to some of their stuff over the past couple of days and am loving it! Before going to bed last night, I checked out their 32-minute opus, "Cassandra Gemini," with ZERO intent on listening to the entire thing in one sitting. I couldn't stop. Totally mesmerized. I listened to it all the way through. Incredible song/journey! Looking forward to checking out the rest of their catalog. Who knew it was possible for Santana, Led Zeppelin, Jimi Hendrix, among others (King Crimson, for one), to have a baby?

    • Like 1
  15. 1. "Black Holes and Revelations": Living in the U.S., we didn't get exposed to Muse nearly as quickly as other parts of the world. This was the album which introduced me to the band, so it'll probably always mean more to me than any other album of theirs. I love the mix of sounds, and would say "Knights of Cydonia," "Map of the Problematique" (the first song I heard of theirs), and "City of Delusion" are probably in my top 10-15 of Muse songs; "Hoodoo" gives me goosebumps every time I listen to it; and it seems like every year, I warm up to "Invincible" more than the previous one.

    2. "Origin of Symmetry": This has been a slow-grower for me. When I first heard it, I loved "New Born," "Plug In Baby," and "Feeling Good," but was lukewarm on "Megalomania," "Screenager;" couldn't tell what I thought of "Micro Cuts" or "Citizen Erased;" and honestly, "Hyper Music" was like nails on chalkboard. Through the years, though, while I still love "New Born" and like "Plug In Baby," I rarely ever listen to "Feeling Good." "Citizen Erased" is now my all-time favorite song by the band; "Space Dementia" (especially the remix rendition) is in my top 10; "Micro Cuts" provides me goosebumps with each listen; I've warmed up to "Darkshines," "Screenager," and "Megalomania" (again, especially the remix). I'll even listen to "Hyper Music" and bob my head in the process. From just a musical standpoint, this may have grown to be my favorite album - something I didn't think would have been possible upon first listen, but like I said, "BHAR" was my introduction to the band, so that'll likely always remain at the top for said reason.

    3. "Absolution": The band's third 5-star album, in my opinion. "Butterflies and Hurricanes" is one of my favorites; that bass line in "Hysteria" is one of the best in the band's/Chris's catalog; "The Small Print" and "Stockholm Syndrome" are bangers (especially that classic breakdown at the end of the latter); "Ruled By Secrecy" is a goosebump-inducing piece; and "Falling Away With You" and "Blackout" are quite the underrated gems. That isn't even mentioning standouts like "Apocalypse Please" and "Time Is Running Out." I do skip more tracks on this album than I do on either of the previous two, though ("Endlessly," and sometimes "Thoughts of a Dying Atheist" and "Sing For Absolution"), which is why I ranked it below them.

    4. "Showbiz": If you had asked me 2-3 years ago to rank the albums, this would have been dead last. Outside of the title track, "Muscle Museum," and sometimes "Sunburn" and/or "Cave," you wouldn't catch me listening to any of the other tunes on the album. Now, though? The only track you'll see me skip is "Overdue" (may be, along with "Break It to Me," my least favorite song in the band's catalog). The sound comes across as raw, personal, dark, punk, and full of twists. "Hate This & I'll Love You" is classic Muse; "Sober" and "Fillip" are catchy; "Uno," "Falling Down," and "Escape" are underrated; and in my opinion, "Unintended" is one of the most beautiful songs Muse has recorded.

    5. "Drones": If we were grading just on the front-half of the albums, this would probably rank right up there with the best. I wasn't sure about "Dead Inside" upon first listen, but have grown to love it. "Psycho" is a fun riff. "Mercy" is a pretty good tune. "Reapers," "The Handler" (one of my all-time faves), and "Defector" is one of the best back-to-back-to-back listens in the band's entire catalog, in my opinion. After that, though, things begin to weaken. Now, I'll admit I find "Revolt" to be a bit of a guilty pleasure. I don't love it, but I've always found it catchy, and didn't get all the hate it received. I also like "The Globalist" - especially the middle third. "Drones" is an interesting experiment, which I respect, but I'd be lying if I said I ever listened to it. I NEVER liked "Aftermath," though. It probably ranks among the bottom 5 of Muse songs for me. Good album, and my favorite among the band's last 4, but due to the less-than-stellar back-half, I just can't rank it any higher than this.

    6. "Simulation Theory": Fun album; easy to listen to; and easy to like. I just didn't find there to be a great number of standouts. "Algorithm" has to be my favorite track. The progressions in the song song the most Musey to me, if that makes sense. The song doesn't feel unnecessarily condensed like some of the others. "The Dark Side" has that vibe too, I suppose. Having said that, there are a lot of quick and enjoyable tracks, like: "Pressure," "Thought Contagion," "Blockades," "Propaganda," and yes, even "Get Up and Fight," to a certain extent. As far as the slower tracks go, "The Void" is a solid closer, and "Dig Down" is great, so long as we're talking about the gospel rendition. I don't even listen to the original track anymore, the gospel version is so fricking good. I could never get into "Something Human," though - especially that chorus. I also appreciated the band attempting to expand their horizons with "Break It to Me," but for as hard as I've tried, I just can't bring myself to like it. In fact, I loathe it. ...no offense. The album pales in comparison to some of the others as far as pure power and feeling are concerned, but I don't think that was the band's intent with it. Regardless, I still listen to the album 3-4 years after its release and just think people should appreciate it for what it is/what it was meant to accomplish. Especially during these trying times, we could all use a little fun, light-hearted Musery every now and again.

    7. "The Resistance": I like this album, just not as much as most of the others. I honestly kind of got tired of "Uprising" for a while, due to its seemingly constant play on the radio and at sporting events. I've warmed up to it again, though. The title track has become one of my favorites on the album. "MK Ultra" and "Unnatural Selection" are solid rockers. "I Belong to You" is probably one of my guiltiest pleasures. Oh, and "Exogenesis," whenever I hear that, I transform into Elaine Benes for 10+ minutes: "I'm speechless! I'm without speech!" "Undisclosed Desires" and "Guiding Light" are almost always skips for me, though, and while I like "The United States of Eurasia," I don't listen to it too frequently.

    8. "The 2nd Law": "Panic Station" and "Animals" are both excellent. I'm still shocked "Supremacy" hasn't ended up in a Bond film. Outside of that, though? I see a lot of guilty pleasures, at least for me: "Survival," "Follow Me," "Explorers," and "Big Freeze," in particular. I don't dislike the song, but I've never been big into "Madness." I appreciate Chris's songs, about his battle with alcoholism, but while the guitar parts are rocking like '70s metal in "Liquid State," it just isn't the same without Matt behind the mic, in my opinion. I thought the experimentation with "Isolated System" and especially "Unsustainable" were kind of cool, but overall, this is probably the only Muse LP which didn't feel like a complete album to me. It kind of felt like a bunch of random B-sides and rarities put together in no particular order, and while most of the songs were of decent to great quality, it never seemed to flow very well, at least from my vantage point. Regardless, this is my least favorite Muse album, and I still enjoyed it, so kick me and call me a Muse homer. I don't mean that literally, of course. I have a 3-year-old son who accidentally beats me up enough as it is by thinking I'm his personal jungle gym, but I digress.

    • Like 1
  16. 4 minutes ago, Timbo59 said:

    Sorry this is my last off topic post, but I must say I love this name.

    musemu.PNG

    Haha, thanks! "Eternally Missed" is one of my favorite B-sides (if not my favorite), and I like the ambiguity of "pissed" when it comes to American language and British slang, especially since Muse hails from the latter.

    • Like 1
  17. The Live Chat for this song on YouTube is nuts. We've got:

    - Someone repeatedly shouting that we need to stand up to the New World Order.

    - Two people debating on what constitutes a hardcore Muser.

    - At least one person making Radiohead-comparison jokes.

    - And a bunch of letters alongside one another which don't make a lot of sense to me. I can only assume they're the result of a non-native English speaker or a drunken-native English speaker.

     

    ...to be continued... lol.

  18. 7 hours ago, That Little Animal said:

    He may have called Glenn Beck a crazy right winger, but what did he call Alex Jones when he was a guest on Infowars in 2006? 

     

    That wasn't his finest moment, for sure, but at the time, Alex Jones was one of the lead spokespeople for the "9/11 Truther" movement, to which Bellamy had displayed a curiosity. He has since altered his stance on the matter, however. - https://www.nme.com/news/music/muse-162-1259639

    If asked today, my guess is Bellamy would refer to Jones in a similar manner as he has with Beck.

  19. 11 hours ago, Silentgod86 said:

    Generally hope Matt doesn't have a BLM lyric. When Muse shared a post supporting BLM, Matt followed it up with a post about being in LA rescuing his guitars in the case they got looted. Don't think there was any malice there but perhaps no thoughts given about the optics of somewhat associating the two very different things.  Matt can be a bit of sledgehammer when it comes to lyrics so perhaps best he doesn't tackle something that requires a delicate touch.

    Yeah, I hear ya. Given his history of lyric-writing, my guess is he'll be more general about the protests and fighting oppression, but we'll have to wait and see, I suppose.

  20. 3 hours ago, That Little Animal said:

    Didn’t Matt mention that he started writing and getting inspired during the Black Lives Matter protests?  Usually the lyrics are so generic in their “they” vs “us” narrative that everyone who feels oppressed can attach their outrage to it. And right now the, in the US, the Trump-right and the antivaxxers are probably the loudest voices (wrongfully) claiming to be oppressed. 

    But yeah, I was probably wrong suggesting earlier that Matt himself might inject some plandemic nuttery into the new album, I haven’t caught him saying anything that would suggest he swings that way. He probably just took a global sense of outrage as inspiration. 

    (I’m still a bit uneasy about the Hollywood lifestyle and anarchist lyrics combo, it just feels a bit icky to me.)

    Yeah, I've read that too (https://www.aceshowbiz.com/news/view/00161000.html).

    Good point regarding the sometimes vague lyrics, to which just about anyone can relate. I remember reading an article about how Glenn Beck attempted to use the song "Uprising" for his show/cause and the band was none-too-pleased about it, with Bellamy referring to him as a "crazy right-winger." (https://www.theguardian.com/music/2012/sep/28/muse-rightwing-conspiracy-theorists-music)

    We'll see what happens, but I have to admit I'm pretty hyped about this new snippet. Maybe it's just been the building frustration with regard to the pandemic/anti-vaxxers, but I've been on a bit of a metal kick lately (rare for me), so this recent clip gave me immediate goosebumps and I can't wait to hear the rest!

  21. 17 hours ago, MartianSpaghettiRider said:

    Very good analysis. Still, I’m quite sure we will see him tackle the anti-vaxx issue in one of the new songs.

    Fair point. If he does tackle the "anti-vaxx" issue, though, I don't think it will be from the perspective that he himself is anti-vaxx.

  22. I highly doubt this album will be an anti-vaxxer conspiracy theory in concept. While Bellamy has certainly been curious in exploring conspiracies in the past, he's:

    - Provided his doctor cousin with masks and other supplies to help her in the emergency room in treating COVID patients - https://www.spin.com/2020/03/muses-matt-bellamy-honors-doctor-cousin-battling-coronavirus/

    - He's regularly posted pictures of himself wearing a mask post-COVID - https://www.instagram.com/mattbellamy/?hl=en

    I sadly know many anti-vaxxers and none of them are such stalwarts in promoting mask-wearing as Bellamy seems to be.

    When reading the lyrics that have been provided for "Won't Stand Down," my first thought is it's in response to the Donald Trump presidency and January 6th Capitol insurrection. Bellamy has noted that the "clown" in "Dig Down" was in reference to Trump, and even later tweeted "clown" should have been termed "nazi c*nt" (
    https://twitter.com/mattbellamy/status/897583876285112321). He also suggested Trump should have been impeached and removed after the January 6th attack (https://twitter.com/mattbellamy/status/1346955785327300608). So, it seems much more likely to me that "Won't Stand Down" would be in reference to fighting the right-wing's attempt at undermining democracy through misinformation, repetition, and call to action.

    If Bellamy and Muse go anti-vaxxer with the coming album, I'll be highly disappointed, but I'm 99.999999% certain that's not going to be the case.

     

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