Jump to content

QtheMusic : Another special guest on the Pyramid Stage, and a rock masterclass


chudenk

Recommended Posts

In the run-up to Glastonbury, the big question was which of the two stadium giant headliners would triumph: U2 or Muse, the old guard or the new. One bad back later, we briefly got both at the same time.

 

If there's ever a band to watch on a pyramid-shaped stage built on leylines, it's the conspiracy theory-obsessed, alien-loving Muse. The threesome - last here in 2004 - swagger on to the stage like returning heroes, bassist Chris Wolstenholme nonchalantly puffing on a pipe between tracks and frontman Matt Bellamy pulling Freddie Mercury poses before he even plays a note.

 

The opening tracks set a standard the Teignmouth rockers struggle to uphold for the rest of the first hour, the thunderous Uprising, Supermassive Black Hole and New Born hitting like a triple whammy of heavy artillery. The onslaught becomes more real in United States Of Eurasia, when images of guns and tanks accompanied bombastic lyrics about "wars that can't be won".

 

But, in spite of the bombast, the band don't pull out all the theatrical stops. At the beginning of the month, they sent a giant spaceship over the crowd at Germany's Rock Am Ring festival. For us? Not a sausage. Not even a firework, bar the ones lit by firebugs in the crowd.

 

Without the bells and whistles, the band's musicianship has to dazzle, and dazzle it does. A man so musical he turns a tune-up into House Of The Rising Sun, Bellamy is the gadget-loving James Bond of prog, a futuristic effects pad attached to his guitar and a neon-glowing keytar in the wings for Undisclosed Desires. He even plays both ends of a double-necked guitar simultaneously in The Resistance -something usually prohibited by dint of having less than three arms.

 

The main set culminates in a savage Stockholm Syndrome, but there is a secret weapon save for the encore: The Edge, live on stage, performs Where The Streets Have No Name like a brilliant vision of U2 in a parallel universe. Even Bellamy points at him in disbelief.

 

Despite their guest's star power, the last hurrah still belongs to Muse - Knights Of Cydonia has the fingers of Guitar Hero-playing audience members twitching through muscle memory, while plumes of smoke fill the stage. This is Muse au naturale, a two-hour masterclass from a band who play to mega-crowds like it's their birthright. But next time chaps, do bring the spaceship.

 

Source

Link to comment
Share on other sites

good on :yesey:

 

it's kind of funny though, people moan about there being too much glam and showbiz (har) during gigs, wishing that muse would just do an old fashioned set and rock out, but now the reviewers are suggesting muse do the opposite, :wtf:?

 

oh well, it's pretty sweet either way :D

Link to comment
Share on other sites

good on :yesey:

 

it's kind of funny though, people moan about there being too much glam and showbiz (har) during gigs, wishing that muse would just do an old fashioned set and rock out, but now the reviewers are suggesting muse do the opposite, :wtf:?

 

oh well, it's pretty sweet either way :D

 

+1 :yesey::D

 

MUSE 4EVER!:musesign:

Link to comment
Share on other sites

Lovely stuff ^^

 

 

The thing is, you can read all these reviews about how crap they are, how great they are, how they could be more OTT or how they should tone it down. But it's completely how you as an individual percieve the music. Let it be about the freedom of art and music! :happy:

Link to comment
Share on other sites

He even plays both ends of a double-necked guitar simultaneously in The Resistance -something usually prohibited by dint of having less than three arms.

 

:LOL: I loved that part. Glad to see another positive review for the Glastonbury performance...reviews like these make me excited for my first gig in October!

Link to comment
Share on other sites

Archived

This topic is now archived and is closed to further replies.

×
×
  • Create New...