Showbiz: Best - Understandably Muse at their rawest, especially in Matt's vocals, dude sounds like he's close to tears at times, gives the album a bit of emotional power you don't really see in their later material. Also, just massive potential on display, some damn excellent songs, Sunburn, Showbiz, Muscle Museum, Cave etc.
Worst - Production is a bit flat, instruments don't have room to breathe at times, the drums suffer in particular at points.
Origin of Symmetry: Best - The sheer creativity on display, huge musical evolution from their debut, experimental in the best way. Production is a massive improvement from Showbiz too, tracks like Citizen Erased sound huge, wall of sound when necessary but not consistently crushed dynamics wise. Great flow too.
Worst: Perhaps the guitar tones at points? Have to really look for gripes with this album.
Absolution: Best - General cohesiveness with the end of the world theme. Well put together tracks (Adding the synth arpeggios to Stockholm Syndrome etc.).
Chris' bass tones are great throughout the album.
I actually don't have an issue with the track order, but I grew up with this album so maybe I'm used to that order
Worst: Production occasionally buries some of the soundscapes. Not a huge issue really. Again, really digging for issues.
Black Holes and Revelations: Best - Great flow, over the top but still serious tone, some genuinely great songwriting (Hoodoo stands out in this regard).
Worst - Dear lord the production, Muse's output is generally brickwalled, but this album really suffers, the whole thing sounds muddy and distorted (MOTP is an unrelenting wall of sound from beginning to end) if any Muse album needs a remaster it's this one. Even soldier's poem peaks/clips consistently ffs.
The Resistance: Best - Once again, the flow. Even if I'm not the biggest fan of the tracks, they fit together nicely. MK Ultra and Unnatural Selection are great.
Worst - General blandness, a lot of the album just sounds uninspired, tracks like Resistance and Guiding Light suffer particular in this regard. Also, some really baffling production choices, who on earth thought having Matt singing in French in the middle of "I belong to you" was a good idea?
The 2nd Law: Best - Crisp and clear production, good bass presence. Animals is a standout track, and Stevie Wonder thievery aside, Panic Station is fun.
Worst - Flow and song quality, this album is all over the fucking place, tonally and quality wise. Features some of the worst material Muse has released. Too many of the songs sound like they've been ripped from something else.
Drones: Best - Finally got some heaviness back.
Worst - Is an album of two halves, one half old school fanservice to appease the older fans, other half bland tracks designed for radio airplay. Ranges from great (Reapers, The Handler) to bland (Mercy, The Globalist) to downright awful (Revolt, Aftermath)