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p_of_cydonia

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About p_of_cydonia

  • Birthday 03/10/1986

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  1. The way I see it, it all boils down to whether someone enjoys muse's bombastic prog-ish rock or not. It has been like that probably since Absolution (which btw has a 72/100 metacritic score - not so great). Indie-oriented sites/magazines obviously do not enjoy Muse so much and Drones is definitely not going to change that, however "stripped back" its sound may be.
  2. and 4/5 from the telegraph as well http://www.telegraph.co.uk/culture/music/cdreviews/11649952/Muse-Drones-review-more-than-a-little-Spinal-Tap.html
  3. as specific as they should be on the subject of drone warfare imo. these lyrics are already unsubtle, imagine matt singing something like "obama, stop killing innocent civilians in northern pakistan in non-surgical drone attacks"
  4. Lol, the things he accuses Muse that they didn't tackle, they actually did in Reapers; lack of accountability "and there's no one behind the wheel", civilians killed by drones "home, it's becoming a killing field", etc... what was he looking for in a concept rock album? the statistics?
  5. So wait, if I'm getting this right, most people here (kind of) liked The Handler lyrics but absolutely hate Defector ones? Why is "I'm escaping from your grip, you'll never own me again" better that "you can't control me, I'm a defector". Good or bad, they're pretty similar...
  6. Decent song descriptions I guess, but it's not really a review, is it? I don't think he expresses opinions on the tracks or on the album as a whole, apart from "it's more focused than The 2nd Law".
  7. I don't have a problem with the lyrics tbh, it was just that bit that I found odd. I don't even mind the "eat my soul" bit since he's talking about ghosts so it kind of makes sense...? At least in a horror film kind of way...
  8. agreed, but narrative wise we align with the main character. and he also stuffs together in the same chorus powers that be, killing machines, the mean... all the favourite Bellamy villains found it a bit strange that the godless are included in such company
  9. I think the first time it goes like AmGFE and then it changes and goes to AmDmGF and then goes to C chord. I *think*
  10. I really don't believe Bellamy thinks he's reached his peaks of originality with this intro. it's obvious from the making of clip as well that he wants us to think of Morricone. Since the notes *are* different (and so is the chord progression up to a point), they cannot be *literally* identical on paper. My comment was referring mostly to the idea that Morricone should be credited on the album. I've already said the orchestration is pretty much the same but personally I don't find that troubling at all. It's kind of cheeky and playful
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