Jump to content

Spectrum IV

Moderators
  • Posts

    2,319
  • Joined

  • Last visited

  • Days Won

    2

Posts posted by Spectrum IV

  1. I have to say, forcing myself to take breaks from the album is definitely paying off. Even songs like SH and TC are randomly popping into my head and nagging at me to listen to them. I only wish I'd had this level of self-discipline for the LP 2-4 trifecta, they might still excite me the way ST does now.

  2. Eh, I give up on ranking albums. I just group them into tiers.

     

    Great

     

    Origin of Symmetry

    Hullabaloo

    Absolution

    Black Holes

    Simulation Theory

     

    Good

     

    Showbiz

    The Resistance

     

    Decent

     

    The 2nd Law

    Drones

     

    They haven't really done a bad album yet.

  3. I'm honestly a bit a puzzled at the love Break it to me is getting. Are Muse fans so hungry for distantly reminding of something even a bit more out of the box/experimental that this (imo) in the end "just okay" track gets so much attention?

     

    I'm more surprised that you just described the song as "okay". Not the sound of angels orgasming, not literal fucking cancer burn it, but okay.

  4. Muse could drop every political song over the past four albums and I'd be happy. Their most compelling material occurs where Matt finds new and honest ways to explore his condition.

     

    SH is an exception only because it's missing the point. The band didn't enjoy touring Drones because on some level I believe they knew it was nonsense. This is also why they need to stop playing Psycho, the epitome of Muse's hamfisted 8th grade politics.

     

    Don't get me wrong, Animals is a great song, but it becomes unlistenable once you've processed and memorised the musical ideas. All that's left are some platitudes about how bankers are evil and should commit suicide. Same applies for Uprising, Unnatural Selection, Supremacy, Explorers, and most of Drones.

     

    Matt writes significantly better songs when he takes himself seriously as a lyricist, not as a politician.

  5. Two weeks later, still love this album.

     

    Even DD, TC and SH are growing on me again. They work better in the context of the album, though acoustic SH is still better.

     

    Blockades, Propaganda and BITM are the best three tracks they've done since BH&R.

     

    Overall 8/10. I'd probably rate it a bit higher than Showbiz, but still feel there are a few less-than-great tracks holding it back from being one of their best.

  6. I’m not hearing anything too weird at 2:15, it’s descending Eb-D-C octaves in bass possibly with a fifth being played. Then the chords follow the ascending bass line Cm - Eb(Maj7) - two bars of Gm. If it kept climbing to a Bb, we’d have Undisclosed Desires. :chuckle:

     

    Also the chord there is Eb, but the song is in G minor, where Eb is the VI chord. The general chord progression includes D7 and D7b9 chords with the F# note borrowed from G harmonic minor. There’s also a descending Csus - C - Cm section on “these delusions” with an E natural borrowed from G Dorian (or F major).

     

    We can talk about this here, it’s perfectly on-topic. :)

  7. The chorus is proto-Muse to the nth degree, probably the most aurally pleasing 15 seconds of music they’ve ever written, with Matt in his falsetto register. Then he sings “reborn” to a Phrygian dominant scale, which starts out clean, and gradually morphs as Matt returns to his chest voice. Then we’re right back to chest voice rapping over detuned guitars and weird Arabian hip-hop.

     

    A literal fucking rebirth. I can’t get over it.

×
×
  • Create New...