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New Born Lee

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Posts posted by New Born Lee

  1. Really impressed that they played Eternally Missed. I loved that song when I was a Muse megafan and I can always hear why Muse fans love it. I listen now and I can see why it didn't make an album - honestly it's kind of a mess conceptually, there are parts I love and parts I could do without. It's no surprise at all that they don't play it, which is what makes it really nice that Muse did so by request.

  2. It's not harmonies or chanting. Unfortunately I'm too musically illiterate to describe what exactly I mean. There's something in the sound that I associate with Queen, but maybe it's just something generally 80s. Something Muse has started employing from The Resistance on.

     

    I mean, it's generally very theatrical and melodramatic in delivery, that's very Queen. Matt's also singing in a gaspy, feverish yet clean style that isn't too far from some of Freddie's work. The resemblances have been in place for a long time, it's just that they've been much more overt in the past.

  3. The Final Solution line sticks out a fucking mile because it's the only concrete line in the song that refers to a specific thing. Other than that line the song is so vague that it's essentially about nothing. I can't believe no-one has sat Matt down and explained to him that the abstract is best expressed through the concrete. That's poetry/lyrics 101.

  4. This...actually might be worse than Dig Down. Dig Down is painfully slow and overwrought but at least it's got a sort of fist-clenching general inclusiveness, a message vague but widely optimistic. Thought Contagion seems like a criticism of...something? Or is it just a bad thing happening? What's a thought contagion? Oh, it makes the sky sad? Oh dear.

     

    The chorus. The woahs. The desperately delivered yet meaningless lyrics. The painfully obvious, pantomime evil melody. There's no musicianship to the track. It's like all the instruments are compressed into one sound.

     

    Am I just tired? I'll sleep on it, okay.

  5. I wonder how native speakers of English deal with the lyrics sometimes. :LOL: As a non-native speaker I find it easy to just ignore how bad certain lines sound (not the Rio one though), so maybe that makes Muse more easily enjoyable for us.

     

    日本人ですか?

     

    I wonder how many Japanese and Korean songs I'm understanding while blissfully ignorant of the lyrics. I like Dir en grey a lot but apparently their lyrics are very divisive.

  6. They released a video of a live version of this song. Granted it was in a venue where people didn't come for Muse but it's such a static performance. But it's not because of the venue or the boys' energy level. It's because this song is devoid of pace and energy. There's nothing to move to.

  7. I was looking at Matt wearing silly glasses and was looking forward to something peppy and fun like Panic Station. I don't expect them to churn out OOS-era symphonic new prog any more. But it's just so dull. It's not even very bad. Just dull and done twice over already.

  8. I thought Abso was a very paranoid record and all those above tracks are quite paranoid.

     

    Drones stuck to its concept pretty well in the same regard and it actually produced from good songs from it. Some really rubbish ones too but the intent is good.

  9. When was the last time Muse did an 'album of' anything, if ever?

     

    Absolution I thought was pretty tonally consistent.

    Actually, Drones was a step in the right direction in that regard I think.

  10. I was hoping for something a lot sillier but it's just a splice of Madness and Dead Inside. I liked Madness but I don't want a rehash of it. Spends two minutes meandering with really bad air-grab lyrics before kicking off in a distinctly okay way.

    Don't want an album of this.

  11. Supermassive Black Hole. Saw it on a music video channel.

     

    Edit: hang on, this is different from the other thread?

     

    Um, I guess the song that convinced me they were worth being obsessed with was Take A Bow, when I first gave BHAR a spin. I remember listening to the distortion at the end, I was rather naive and had never really heard a song cut to something like that. It was fucking cool.

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