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cheddatom

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Everything posted by cheddatom

  1. his bass player is fucking ace (If it's the one i'm thinking of)
  2. It is indeed! It's very nice. I'm recording straight into my PC but using it for headphone mixes. I would love the 24 channel version. I actually wanted to use my A&H 24 channel desk but there's something up with the PSU so it hums like a ho on my balls. Yeh that would be the conventional approach but it doesn't really fit that way with enough space behind for people to chill
  3. thanks but that doesn't really fit the bill. I'm after either decent dynamics (just 58s, 57s or equivalent) or LDCs slightly further up the range. I already have two NT1s and a SE2200 and a couple of other cheap ones in the same sort of range as the AT2020
  4. do you still have this? I fixed one with a similar problem recently, it was a fucked output jack which I just bent back into position
  5. It depends but if you're from stoke desirey would be "desire ee" if you know what I mean? If you pronounced it "desire ay" you'd be counted as a frenchman and shot
  6. well I'm just casting around for opinions really. There's no point buying anything until I'm actually in the room and can hear what my current rig sound like in there The CJ stuff is done on the NS10 copies in conjunction with the sub. The sub is almost on zero, it's just adding that tiny bit extra. Obviously I'm used to mixing on that rig in that room, and I reference my stuff on a couple of shitty systems and cars so it should all translate pretty well. I'm more concerned about impressing customers with the sound in the control room. Anyway, shouldn't be a big problem, I'm going to set up one of those little transmitters so people can tune in in the car park and reference the mixes in their car.
  7. well I have some Mackie HR24s on my watch list, but the drivers are only half an inch bigger than what I have, so not sure if they'll have any more bass extension? I did consider a PA rig but the room isn't big enough really. I'm heading up there later, they've just started building the wall to seperate live and control rooms. Maybe I'll get a better feel for it there
  8. I can't find larger monitors! I bought them to hear the details in the mids, which they're great at. I bought the sub to hear the details in the lows, which it's great at. I understand it's a frowned upon by pro engineers because of timing issues, but it's working for me so far. Anyway, recommendations for larger monitors? I've been trying to bag some old 2nd hand ones but they're very thin on the ground. I can't afford more than 600 for the pair
  9. studio spares SN10s, they sound the same to me, just lacking in low end - probably 'cos of my room, so I use a sub with them. They might be good enough without the sub in the new control room... will have to wait and see
  10. I'm sticking with my sub and NS10 copies for now, until I get used to the new control room, so I probably won't buy for another month. My mate has the little KRKs and they are very impressive. I like to hear the low end you see. It's not that important, it's just a personal preference. I'm also looking at Equator D5s etc.
  11. yeh, it's not necessary at all. I've been looking at monitors and just wondered your opinion
  12. They look pretty tiny. Can you feel any subs coming out of them? I guess not. Still, not 100% necessary for mixing
  13. I've been mixing my reggae/hip-hop band recently and I've found that as well as EQing to meld the kick and bass together, side-chaining is very useful too.
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