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~NoblameNoshame~

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Everything posted by ~NoblameNoshame~

  1. I was kinda leaning more towards doubled up with chris than just on its own (like the second "i need to love" in madness in falsetto with chris) but i'd much rarther that than trying to hit the chest note live & falling a tad flat.
  2. Gotta say i prefer the way he sings it live at 2:45-3:00 now (with both lines doing decending falsetto) to the recorded version. He should've done that to start with but with a harmony with chris, would've been ace
  3. Not been on here in an age... My band has a little Muse-y edge, so it may take your fancy...Or not. Im gonna go with the latter Shoddy Demo's https://soundcloud.com/buying-lies/old-generations https://soundcloud.com/buying-lies/the-rise-fall Shoddy Live Vids: http://www.youtube.com/watch?v=x8rXm1-Ovp4 http://www.youtube.com/watch?v=KS5zyMDBVNI
  4. The best way is a Battle Royal But being serious ... As awesome as the teignmouth gigs were, i remember tickets being on sale up till the gig, they didn't sell out. Demand isn't that huge down there, less populated. So if they did enough gigs i expect most of hard-core fan base would get a look in if they did it.
  5. I wholeheartedly agree that the tickets should be given to members who are now old bastards from over 10 years ago ... whoever said it.... Oh wait, that was me. Shit, im old
  6. Just co's i cant tell if you were being a "cunt" in general http://uk.youtube.com/watch?v=98FN9ZFWOXk 19sec-21sec
  7. Really liked Skin Tone...yea it sounds like crying shame...but if matt can nick highly respected classical segments then i think your be alright.... Tis very gd
  8. Its the bass line that chris plays... e--------------------I b--------------------I g---11---------11-I d------------11-----I a-9----9--9--------I e---------------------I Thats the F# pattern, then move the shape up all a semi tone to G, Then to D with 10th fret E string being the best place....
  9. e--------------------------------------------------------------------------------------- f-----------------------------------------------------------------------------------8---- t-0-5-8-6-3-5-------1---3-----------------------------------------------------7---- b----------------4---2------------------------------------------------------------6----- a-------------------5----5----5--666(sig of the devil)-Channel 9!----7----- d-----------------------------------------------------------------------------------0---
  10. e-------------------------------------------------------------------- b-------------------------------------------------------------------- g------------10-----10-12-10--------------9-----9-12-9----- d---12-12------12-------------12-11-11---11-----------11-Repeat! Quick March! a-------------------------------------------------------------------- e--------------------------------------------------------------------
  11. He plays around with it loads... Jools Holland version... E---0---0---0---0--- B---3---0---1---0--- G---0---0---0---0--- D---2---2---2---2--- A---2---2---2---2--- E---0---0---0---0--- Random other version... E---0---0---0---0---0--- B---0---3---2---1---0--- G---0---0---0---0---0--- D---2---2---2---2---2--- A---2---2---2---2---2--- E---0---0---0---0---0--- This makes me look like a right Muse geek
  12. The chord is... E-------------------------- B---10-------10--------- G---13-------13--------- D---12-0-0--12-0-0--- A-------------------------- D-------------------------- & so on...
  13. Look what you made me do! You made my half arsed unresearched comment look like poo, so i've had to edit it, forshame on you! But yea your, correct....but it is drop- C on Map
  14. ....In motp itself matt uses the low C to play a single line progression (after the 4 bar powerchord into) where the bass plays the higher melody until they go in to the full chords.... + of course the Rage riff at the end, because they could...
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